[Agora Object] Agora XXX, no. 1582

Floor fragment with stem. Two incised lines to simulate fillet. Max. dim. 0.073. I, woman (head, both feet missing) seated to right, holding a nude male child (head missing) in her outstretched arms ... Ca. 510-500 B.C ... The lively, but rather rough, drawing bears some similarity to that on two cups by one hand, a painter in the Wider Circle of the Nikosthenes Painter: Boston, M.F.A. 08.30a (ARV2 135 [a]; Addenda 177) and Berlin 1964.4 (ARV2 1700; Paralip. 334; Addenda 177).

[Agora Object] Agora XXX, no. 1606

Floor fragment with start of stem on underside. Max. dim. 0.094. H. A. Thompson, Hesperia 27, 1958, pl. 46:a. I, satyr (wreathed head, torso to waist, most of right arm, top of tail, and part of left ... Ca. 510-500 B.C ... Assigned by Beazley to the Painter of P 24102, a.k.a. the Painter of the Agora Chairias Cups (ARV2 176--177; Paralip. 339; Addenda 185). ... Not in ARV2. 1606 probably belongs to the Wider Circle of the Nikosthenes Painter and bears some resemblance to these satyrs: Brussels A 201 (ARV2 133, 19); Brussels A 1377 (ARV2 134, 2; Addenda 177); and Boston 08.30a (ARV2 135 [a]; Addenda 177); for the locks of hair ending in inverted question marks, cf. especially the right satyr on side B of the last.

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[Agora Publication Page] Agora 30, s. 196, p. 177

ARV² 189, 76. Ashmead, Hesperia 35, 1966, p. 29. Paralip. 341, 76. Addenda 189. A. Kossatz-Deissmann, LIMC I, 1981, pp. 111-112, no. 462. P. Hellström, Achilles in Retirement, Medelhavsmuseet, The Museum ... Agora 30 177 P 10509 ... 480 B.C.

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[Agora Publication Page] Agora 30, s. 366, p. 347

ARV² 321, 22. Paralip. 359, 22. Addenda 357. ARV² 139, 1. ARV² 139, 8. ARV² 139, 9. Ostraka. ARV² 143, 19. ARV¹ 118, 2. ARV² 143, 3. H.A. Thompson, Hesperia 27, 1958, pl. 46:a. ARV² 176-177. ARV¹ 118, ... Agora 30 347 P 12080 P 7258 P 25960 P 14942 P 24102 P 5093 P 2583 P 25867 D 7:2 G 6:3 ... 510 B.C ... Addenda 357 ... ARV² 176-177 ... Addenda 177

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[Agora Publication Page] Agora 30, s. 357, p. 338

Addenda 165. ARV² 26, 2. Addenda 156. ARV² 111, 13. Addenda 173. ARV² 316, 8. Addenda 214. CVA, London 9, Great Britain 17, pl. 4 [78]:1. Fill. ARV² 1570, 31. ARV² 427, 2. Paralip. 374, 2. Addenda 235 ... Agora 30 338 P 4699 P 3228 P 126 P 14949 P 25970 P 5748 P 4688 P 2581 P 312 E 14:11 F 19:5 I 6:1 G 6:3 ... 510-500 B.C ... Addenda 165 ... Addenda 156 ... Addenda 177

[Agora Object] Agora XXX, no. 1406

Lip and bowl fragment. Reserved line on inside and outside at rim. Max. dim. 0.059. A, satyr with pelta riding a full wineskin. What remains besides the pelta decorated with a frontal animal's head between ... Ca. 510-500 B.C ... For a satyr with a pelta, see the one attacking Iris on Boston, M.F.A. 08.30a, also from the Wider Circle of the Nikosthenes Painter but rather rough (ARV2 135 [a]; Addenda 177). For others, also from the Wider Circle, see Florence 4 B 28 and Louvre Cp 11255 (ARV2 133, 10--11; Addenda 177: joining New York, M.M.A. 1984.500.3).

[Agora Object] I 3480: Marble Fragment

Inscribed fragment. Top, worn as if by water, and side picked fine, preserved; otherwise broken. Seven letters remain. Pentelic marble. ADDENDA With I 5284. Found in the area of the Stoa of Attalos. Leica ... February 1936

[Agora Object] Agora XXX, no. 177

Four non-joining fragments of neck and shoulder. P.H. a) 0.125; max. dim. b) 0.16, c) 0.11, d) 0.99. E. Laufer, Kaineus: Studien zur Ikonographie [Rivista di archeologia Suppl. 1], Rome 1985, pl. 12:35 ... Ca. 470-460 B.C ... From what remains of the Kaineus scene on Side A of 177, taken together with the curve of the krater's shoulder, it is likely that the composition was a symmetrical one, with the warrior flanked to left and right by a single centaur, similar to the one by the Pig Painter himself, once in the Lucerne Market, now in a Swiss private collection (ARV2 563, 7; Addenda 260). Earlier Mannerists, i: Manner of the Pig Painter (ARV2 566, 1; Addenda 261).

[Agora Object] L 1816: Lamp

Fragment missing from nozzle. Imbricated leaf pattern and cornucopia-shaped lug on upper body, double rosette on rim. Ribs on nozzle. Red to brown glaze. Pinkish-buff clay. Type XVIII of Corinth collection, ... 24 May 1935

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[Agora Publication Page] Agora 30, s. 90, p. 71

Cups; Type C. Euphronios, cat. no. 55. Denoyelle, Chefs d'oeuvre-Louvre, pp. 110-111, cat. no. 50. ARV² 108, 26 and 115. ARV² 879, 2. Paralip. 428, 2. Addenda 301. ARV² 125, 13. Ars Antiqua III, 29, IV ... Agora 30 71 ... Addenda 301 ... Addenda 154 ... Addenda 177

[Agora Object] P 9908: Amphora

Lip entirely missing; base fragmentary. Body tapers to flaring ring foot; angular shoulder; plain handles, from neck to shoulder. Irregular horizontal ribbing on upper body. Pinkish to pale buff clay ... 7 April 1937

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[Agora Object] I 1912: Marble Fragment

Inscribed fragment. Smooth left side preserved; otherwise broken. Eight lines of the inscription preserved. Pentelic marble. ADDENDA With I 750. Found in late context, south of the Tholos. Leica, 88-14-36(35) ... 4 May 1934

[Agora Object] Agora XXX, no. 1535

Floor fragment with start of stem on underside. Surface abraded. Max. dim. 0.049. I, symposiast. A man or youth (torso, thighs, left hand holding a large skyphos) reclines to left, chest in front view ... Ca. 510-500 B.C ... The composition may have been similar to one in the tondo of Louvre CA 1585, a cup probably made by Pamphaios, though not yet attributed to a painter (ARV2 131, ---; Addenda 177). There, however, the youth is clad in a himation.

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[Agora Publication Page] Agora 30, s. 110, p. 91

Early Red-Figure Cup Painters; Other early Red-Figured Painters. ARV² 129, 21. ARV2 131, 21. Addenda 176. Addenda 179-180. ARV² 139, top, and 139-141. Paralip. 334-335. Addenda 178. ARV² 153-158. Paralip ... Agora 30 91 ... Addenda 176 ... Addenda 179-180 ... Addenda 178

[Agora Object] T 3629: Seated Female Figurine

Figure sits with arms extended (apparently to arms of throne). Tripod prop and narrow back for throne. Mended from three fragments. All extremities missing. Throne arms and legs broken also. White slip ... 27-29 May 1959

[Agora Object] Agora XXX, no. 1536

Floor fragment. Max. dim. 0.075; est. diam. of tondo 0.09. I, figure (drapery) reclining to left. In the glazed exergue below the couch, part of an imitation inscription: Reserved line for tondo border ... Ca. 510-500 B.C ... The best parallels for 1536 seem to be these two tondi: Louvre CA 1585, connected in its potting with Pamphaios, but otherwise unattributed (ARV2 131, ---; Addenda 177); once Basel Market, roughly connected to the Wider Circle of the Nikosthenes Painter (ARV2 134, 9).

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[Agora Object] P 4370: Bowl Fragments

Fragment a) is made up of two joining fragments preserving part of the rim of an open bowl. Fragment b) comes from close to the base. Mottled red glaze inside and out. Yellowish buff clay. Cf. also fragment ... 12 March 1934

[Agora Object] P 15979: Black Glaze Skyphos: Corinthian Type

A few fragments missing from wall; restored in plaster. Shape similar to P 15975 (ΓΓ 651), but smaller. Inside of handles not reserved; a single purple band near handles. A broad purple band on a reserved ... 2-19 May 1939

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[Agora Object] L 4750: Lamp

Handle and part of discus broken away. Shell-pattern on discus and herringbone on rim. Unglazed. Coarse red clay. Type XXVIII (very late) of Corinth collection. ADDENDA Second half of 5th. century A.D ... 12 July 1950

[Agora Object] T 3648: Figurines on Round Base

Part of flattish irregular clay ring with signs of attachment of originally six small standing figures. Restored with one such figure in position. Applique headdress, arms stretched forward, cleft face ... November 1959