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|
| pl. 37. Protome Amphorae. Woman Painter ... Agora 8 Agora 8, 576 Agora 8, 579 Agora 8, 578 Agora 8, 577 Agora 8, 580 Agora 8, 581 Agora 8, 582 Agora 8, 583 Agora 8, 584 Agora 8, 586 Agora 8, 585 Agora 8, 588 Agora 8, 589 Agora 8, 587 ... Woman Painter |
| Woman Amphora. Woman Painter. E. B. Harrison, Hesperia, XXIV, 1955, p. 303. A.J.A., XLIV, 1940, pp. 464-482. Hampe, Grabfund, pp. 46, 72 ... Agora 8 7 ... Woman Amphora ... Woman Painter |
| Sub-Dipylon Group. Knickerbocker Workshop. Workshop of Athens 894. Athens 894. Stathatou Hand. Workshop of Athens 897. Athens 897. Analatos Follower. Analatos Painter. Wild Style. Mesogeia Painter. Little ... Agora 8 x H 17:4 ... Analatos Painter ... Mesogeia Painter ... Woman Painter |
| Kynosarges Painter. Woman Painter. Pair Painter. Nessos Painter. Robertson, Greek Painting, pp. 43ff. Beazley, Dev., p. 12. J. D. Beazley, Attic Black-Figure Vase- Painters, p. 1. Hesperia, XIX, 1950, ... Agora 8 25 ... Kynosarges Painter ... Woman Painter ... Pair Painter |
| Ure's Class of Skyphoi K 2, silhouette. Würzburg 351. Painter of Würzburg 351. Kleophrades, potter. Kleophrades Painter. Ure's Class of Skyphoi R. Xanthos A 6.3444. Painter of Xanthos A 6.3444. Makron ... Agora 23 358 ... Painter of Würzburg 351 ... Kleophrades Painter ... Woman Painter |
| Single fragment from the body. The shanks of a woman in profile to the right.
Villa Giulia Painter. Catalogued 10 August 1984. Pit. 965 84-19-11 ... 27 June-5 August 1972 ... The shanks of a woman in profile to the right.
Villa Giulia Painter. |
Shoulder fragment. Max. dim. 0.029. Burn, Meidias Painter, p. 100, cat. no. M 36.
Woman (most of head with fancy headdress) to right. Relief contour. Dilute glaze: surface between locks of hair. Added ... Ca. 400 B.C ... Burn, Meidias Painter, p. 100, cat. no. M 36.
Woman (most of head with fancy headdress) to right. ... Manner of the Meidias Painter (ARV1 965, 90 bis); the Meidias Painter (ARV2 1314, 20). |
Wall fragment. Some of the color has faded. Max. dim. 0.048.
Woman (head) to right. Matte drawing: brownish red.
The Reed Painter (ARV1 827, 108; ARV2 1382, 132) ... Last quarter of the 5th century B.C ... Max. dim. 0.048.
Woman (head) to right. ... The Reed Painter (ARV1 827, 108; ARV2 1382, 132). |
Wall fragment. Max. dim. 0.057. Burn, Meidias Painter, p. 119, cat. no. MM 159.
Two figures, one to left, the other to right (edge of himation of left; chiton over knees of right), the right, a woman ... Ca. 400 B.C ... Burn, Meidias Painter, p. 119, cat. no. ... Two figures, one to left, the other to right (edge of himation of left; chiton over knees of right), the right, a woman. Relief contour.
Manner of the Meidias Painter, xii: Sundry (ARV2 1329, 107). |
| From wall of stout pot; probably just below rim of krater. Woman right with outstretched arms. Frontal eye. Fine relief lines. Glazed inside. Indifferent work of severe style.
Glaze good but crackled ... 16 March 1932 |
| The New York Nessos Amphora. J.H.S., XXXII, 1912, pp. 370-384. Middle Protoattic. The Painter of the Kerameikos Mug Group. Ram Jug Painter. Cook, B.S.A., XXXV, 1934-1935, p. 193. Brann, Hesperia, XXX 1961, ... Agora 8 11 ... 2nd quarter of 7th B.C ... The Painter of the Kerameikos Mug Group ... Ram Jug Painter ... The Woman Painter |
Floor fragment. Max. dim. 0.044.
I, woman (head with sakkos, shoulders) to right. Behind her neck:
Preliminary sketch. Relief contour. Dilute glaze: muscles. Red: inscription.
Compare the Painter of ... Ca. 510-500 B.C ... Max. dim. 0.044.
I, woman (head with sakkos, shoulders) to right. ... Compare the Painter of the Agora Chairias Cups (ARV2 177, ---, 1). The figure was probably similar to the nude kneeling woman in 1594. |
Wall fragment of stand. Max. dim. 0.10.
Woman (most of body) wearing a peplos, standing frontally. At the right, part of her left arm, the elbow bent with the forearm projecting. At the upper left, the ... Ca. 410 B.C ... Max. dim. 0.10.
Woman (most of body) wearing a peplos, standing frontally. ... Preliminary sketch.
For a woman holding an alabastron, see, e.g., 130; 145; 151; or a fragment of a lebes gamikos in Mykonos related to the Washing Painter (ARV2 1135, ---, 1); also the right woman on the obverse of Ferrara 2721 = T.1166 VT in the manner of the Meidias Painter (ARV2 1322, 18; Paralip. 478, 18; Addenda 363; Burn, Meidias Painter, p. 107, cat. no. |
Neck fragment with start of handle. P.H. 0.10. Burn, Meidias Painter, p. 108, cat. no. MM 45.
Two woman (lower drapery, feet missing) facing, the right holding a mirror. Each wears a chiton and himation ... Ca. 410-400 B.C ... Burn, Meidias Painter, p. 108, cat. no. MM 45.
Two woman (lower drapery, feet missing) facing, the right holding a mirror. ... Manner of the Meidias Painter, xii: Sundry (ARV2 1323, 32 ter). |
| Single fragment from the lower body, broken all around. Carlsruhe Painter. Lower shanks of a woman to right and a kalathos. Reserved band marks the lower border of the picture field. Catalogued 3 August ... 27 June-5 August 1972 ... Carlsruhe Painter. Lower shanks of a woman to right and a kalathos. |
Wall fragment. Max. dim. 0.032.
Woman (head and shoulders) to right, dressed in a chiton and cloak, her hair tied in a krobylos. Red: stripes on cloak.
The Bowdoin Painter (ARV2 687, 213) ... Ca. 470 B.C ... Max. dim. 0.032.
Woman (head and shoulders) to right, dressed in a chiton and cloak, her hair tied in a krobylos. ... The Bowdoin Painter (ARV2 687, 213). |
| Rim profiles on amphorae. Thallophoros. Roads. Thymaterion. Rope. Tools. Rosette. Tree of life. Runner tondo. Trial pieces. Sanctuaries in the Agora. Tripod ornament. Shapes, general history of proportions ... Agora 8 134 ... Vulture Painter ... Woman amphora ... Woman Painter |
Wall fragment. Max. dim. 0.026.
Woman (head with sakkos, shoulders) standing frontally, looking to left. She seems to wear a chiton decorated with dots. Relief contour.
Manner of the Icarus Painter (ARV2 ... Ca. 470 B.C ... Max. dim. 0.026.
Woman (head with sakkos, shoulders) standing frontally, looking to left. ... Manner of the Icarus Painter (ARV2 701, 12). |
Wall fragment. Thin, brown glaze on inside. Max. dim. 0.034. Choes and Anthesteria, p. 81, cat. no. 175, fig. 379; Burn, Meidias Painter, p. 108, cat. no. MM 47.
Woman (top of head with decorated fillet) ... Ca. 410 B.C ... Choes and Anthesteria, p. 81, cat. no. 175, fig. 379; Burn, Meidias Painter, p. 108, cat. no. MM 47.
Woman (top of head with decorated fillet) looking upward to left. ... Manner of the Meidias Painter (ARV1 838, 42 bis); should be by the painter himself (ARV2 1323, 34). |
Wall fragment from just below rim. Narrow reserved line on inside.
Max. dim. 0.056.
Woman (face, a little of hair with fillet) to right. Preliminary sketch. Relief contour.
The Painter of London E 494 ... Ca. 440-430 B.C ... Max. dim. 0.056.
Woman (face, a little of hair with fillet) to right. ... Relief contour.
The Painter of London E 494 (ARV2 1079, 4). |
| Fragment from shoulder of squat lekythos. On shoulder, the upper part of a woman to right in front of Doric column. Behind the column a palmette; above, a band of egg and dot. The woman thrusts out her ... 24 February 1936 ... On shoulder, the upper part of a woman to right in front of Doric column. ... London 1910-30,1 (Phiale Painter, ARV 658, no. 98; see also nos. 96-97, 99, 100); also Athens Nat. Museum 16283 (manner of Achilles Painter, 29 bis, Paralip.) |
Fragment of lid, glazed on underside. Glaze pitted and flaked in places; abraded on brim. P.H. 0.03; P.L. 0.07. Burn, Meidias Painter, p. 103, cat. no. A 1243 4.
On top side, woman (lower drapery) seated ... Ca. 400 B.C ... Burn, Meidias Painter, p. 103, cat. no. ... On top side, woman (lower drapery) seated to left on a klismos (legs, part of seat). ... Near the Painter of Athens 1243 (ARV2 1320, 2). |
Wall fragment. Some of the drawing abraded. Max. dim. 0.055.
Woman (head with hair tied in a krobylos) to right. Above, two lines. Dilute glaze: lines. Matte drawing: reddish brown.
The Triglyph Painter ... Last quarter of the 5th century B.C ... Max. dim. 0.055.
Woman (head with hair tied in a krobylos) to right. ... The Triglyph Painter (ARV1 830, 32; ARV2 1387, 44). |
Lower part of body, all of foot. Spill of glaze on inside. P.H. 0.087; diam. of foot 0.052.
Woman (lower half of chiton, feet) to right. Below, egg pattern with dots.
The Painter of the Edinburgh Oinochoe ... Ca. 430 B.C ... P.H. 0.087; diam. of foot 0.052.
Woman (lower half of chiton, feet) to right. Below, egg pattern with dots.
The Painter of the Edinburgh Oinochoe (ARV1 758, ---; ARV2 1217, 5). |
Lower part of body. Max. dim. 0.04.
Woman (from about the chest down) dressed in a long chiton, running toward a laver (bottom of pedestal, foot). Dilute glaze: most of folds of chiton.
The Seireniske ... Ca. 460-450 B.C ... Max. dim. 0.04.
Woman (from about the chest down) dressed in a long chiton, running toward a laver (bottom of pedestal, foot). ... The Seireniske Painter (ARV2 703, 32). |
Neck and mouth fragment. P.H. 0.06.
Woman (head, shoulders with himation) to left, holding a kalathos (upper right corner at left break). Above, egg pattern. White (flaked): line at top edge of kalathos ... Ca. 420 B.C ... P.H. 0.06.
Woman (head, shoulders with himation) to left, holding a kalathos (upper right corner at left break). ... The Washing Painter (ARV2 1128, 94). |
Wall fragment. Max. dim. 0.029.
Head of woman (back missing) to right. She has a sakkos and an earring. Part of floral in front of her.
The namepiece of the Painter of Agora 7561 (ARV2 one 515, 2; ARV2 ... Ca. 450 B.C ... Head of woman (back missing) to right. ... The namepiece of the Painter of Agora 7561 (ARV2 one 515, 2; ARV2 742, 2). |
Shoulder and body fragment with start of neck. P.H. 0.041; P.W. 0.069.
Woman (forearms and hands, legs missing) to right, dressed in a peplos, her arms outstretched. Her hair is tied up in back.
Near ... Ca. 430-420 B.C ... P.H. 0.041; P.W. 0.069.
Woman (forearms and hands, legs missing) to right, dressed in a peplos, her arms outstretched. ... Near the Well Painter (ARV2 1221, ---, 4). |
| Three non-joining fragments giving small part of shoulder and of the picture. Cylinder.
Shoulder: palmettes.
Scene. Fragment a): head, chest and right hand of the Minotaur, upper part of a woman left, ... May-June 1954 ... Fragment a): head, chest and right hand of the Minotaur, upper part of a woman left, with outstretched arms. ... Fragment c): foot of Theseus and lower half of a woman looking out.
Edinburgh painter. |
| Fragment from the wall of a bell krater, just below the rim. Reserved band inside. Parts of two figures: at the right, a woman standing facing, looking left, her right hand upraised. At the left, the large ... April-May 1936 |
Fragment with part of rim, glazed on underside. Glaze fired reddish on top side. Max. dim. 0.08; est. diam. 0.145.
Head of woman with sakkos, to left. On rim, egg pattern.
For the composition, see 1121 ... Second quarter of the 4th century B.C ... Head of woman with sakkos, to left. ... For the composition, see 1121.
The Painter of the Reading Lekanis (ARV2 1501, 2). |
Wall fragment from just below rim. Narrow reserved band on inside.
Max. dim. 0.075.
Woman (most of head, start of left shoulder) to right. Preliminary sketch.
Recalls the Christie Painter (Beazley during ... Ca. 440 B.C ... Max. dim. 0.075.
Woman (most of head, start of left shoulder) to right. ... Recalls the Christie Painter (Beazley during his visit to the Agora in summer of 1953: not in ARV2). |
Wall fragment from just below the shoulder. Max. dim. 0.048.
Woman (head, upper torso) to left, dressed in a chiton, her hair tied up with a fillet. Above, key pattern to right. Relief contour.
The Aischines ... Ca. 460 B.C ... Max. dim. 0.048.
Woman (head, upper torso) to left, dressed in a chiton, her hair tied up with a fillet. ... The Aischines Painter (ARV1 497, 105; ARV2 713, 128). |
Shoulder fragment with start of neck and of handle at left. Glaze cracked in places. Max. dim. 0.102.
Woman (head with fillet, start of himation) to left. Fillet hanging on wall behind her. Above, egg ... Ca. 420 B.C ... Max. dim. 0.102.
Woman (head with fillet, start of himation) to left. ... The Washing Painter (ARV2 1129, 132). |
Wall fragment. Glaze fired brownish green on outside. Max. dim. 0.066. Prange, Niobidenmaler, p. 191, cat. no. N 49.
Woman (lower part of himation over chiton) standing to left.
Preliminary sketch. Relief ... Ca. 460 B.C ... N 49.
Woman (lower part of himation over chiton) standing to left.
... The Niobid Painter (ARV2 603, 39). |
Fragment of shoulder and wall. Burned (surface is gray). Max. dim. 0.052.
Woman (head with leaved fillet) to left. Above, key pattern to right. On the shoulder, up-and-down palmettes (parts of two); above, ... Ca. 460 B.C ... Max. dim. 0.052.
Woman (head with leaved fillet) to left. ... The Aischines Painter (ARV2 713, 129). |
Wall fragment. Max. dim. 0.055. Burn, Meidias Painter, p. 117, cat. no. MM 144.
Woman (body, legs, start of arms) kneeling on the ground to right, dressed in a long, belted chiton. In front of her is ... Ca. 400 B.C ... Burn, Meidias Painter, p. 117, cat. no. MM 144.
Woman (body, legs, start of arms) kneeling on the ground to right, dressed in a long, belted chiton. ... Manner of the Meidias Painter, xii: Sundry: Very close to the Meidias Painter, but compare the Group of the Palermo Phaon (no. 9) (Paralip. 479, 99 bis). |
Floor fragment with a little of molded ring base. On underside, part of band and circle. Glaze pitted on inside. Max. dim. 0.046.
I, woman (most of head with sakkos, shoulders) frontal, head turned to ... Ca. 470-460 B.C ... Max. dim. 0.046.
I, woman (most of head with sakkos, shoulders) frontal, head turned to left, dressed in a chiton.
The Carlsruhe Painter (ARV2 737, 133). |
Fragment of shoulder and neck. Chips and scratches. Max. dim. 0.10.
Woman (head with sakkos) to right. On the wall in front of her, a fillet. Above, egg pattern with dots. Relief contour: profile. White: ... Ca. 440-430 B.C ... Max. dim. 0.10.
Woman (head with sakkos) to right. ... The Cassel Painter (ARV2 1085, 34). |
Shoulder fragment with turn of neck. Max. dim. 0.06. Burn, Meidias Painter, p. 119, cat. no. MM 160.
Woman (most of head with diadem decorated with an egg pattern and three leaves) to left, looking upward ... Ca. 400 B.C ... Burn, Meidias Painter, p. 119, cat. no. MM 160.
Woman (most of head with diadem decorated with an egg pattern and three leaves) to left, looking upward. ... Manner of the Meidias Painter, xii: Sundry (ARV2 1329, 108). |
Floor fragment. Burned. Max. dim. 0.042.
I, woman (chin, neck, chest, part of raised left arm) to right, dressed in a chiton. Preliminary sketch. Relief contour.
Recalls the Euergides Painter (Beazley ... Ca. 510 B.C ... Max. dim. 0.042.
I, woman (chin, neck, chest, part of raised left arm) to right, dressed in a chiton. ... Recalls the Euergides Painter (Beazley during his visit to the Agora in summer 1953; not in ARV2). ... GR 1920.6--13.1 by the Euergides Painter (ARV2 88, 1; Addenda 170). |
| Fragment of a large lid, preserved from center to turn of rim. Handle broken off.
Left to right: woman with tympanum, Eros, seated woman with head nearly frontal, woman.
White for flesh; added color ... 1947 ... Left to right: woman with tympanum, Eros, seated woman with head nearly frontal, woman.
... ADDENDA JDB, by letter, Dec. 9, 1956: "It is to be compared, I think, though more pretentious, with the work of the painter of Agora P 17562; Leningrad, Nat. |
Floor fragment. Max. dim. 0.041; est. diam. of tondo 0.11. Langridge, "Eucharides Painter," p. 401, cat. no. E 159.
I, woman (lower part of chiton, foot) striding to right. At the far left, a bit of curved ... Ca. 500-490 B.C ... Langridge, "Eucharides Painter," p. 401, cat. no. E 159.
I, woman (lower part of chiton, foot) striding to right. ... The Eucharides Painter (ARV2 one 953, 61 bis; ARV2 231, 77). |
Preserved except for mouth and part of body. Glaze misfired reddish brown in places. P.H. 0.092; diam. 0.068.
Woman (part of drapery and left arm missing) dressed in a chiton, bending over to right. Below, ... Late 5th century B.C ... P.H. 0.092; diam. 0.068.
Woman (part of drapery and left arm missing) dressed in a chiton, bending over to right. ... The L.M. Painter (ARV2 one 856, 7; ARV2 1364, 9). |
| Early Protoattic-Middle Protoattic. Wild Style. Kerameikos Group, Late Analatos Work. Kübler, Alt. Mal., pls. 31-34. Late Analatos Work. Middle Protoattic. Early Polyphemos Painter. Eleusis Amphora. Polyphemos ... Agora 8 5 ... Late 1st-Early 2nd quarter of 7th B.C ... Early Polyphemos Painter ... Polyphemos Painter ... Woman Painter |
| Fragments of Amphora; Early to Middle Protoattic. Fragment of Kotyle Krater; Middle Protoattic. Well. Brann S 4. Woman Painter. New York Nessos Amphora. Neck Fragment of Amphora; Middle Protoattic. Neck ... Agora 8 83 P 6573 P 26477 P 26713 P 19292 P 20755 P 19990 P 26285 P 6397 P 26201 R 17:5 R 12:1 F 17:3 D 17:12 ... 3rd quarter of 7th B.C ... Woman Painter ... Polyphemos Painter ... Ram Jug Painter |
Wall fragment of stand. Glaze fired brownish. P.H. 0.067; max. dim. 0.08.
Woman (torso, right arm) standing to right, wearing a peplos and holding a box on her left forearm. Preliminary sketch.
Probably ... Ca. 410 B.C ... P.H. 0.067; max. dim. 0.08.
Woman (torso, right arm) standing to right, wearing a peplos and holding a box on her left forearm. ... Probably from the Sundry Group of Painters in the Manner of the Meidias Painter. Cf., e.g., Athens, N.M. 1659 (ARV2
1322, 11; Burn, Meidias Painter, p. 106, cat. no. MM 18); the standing woman on Berkeley 8.48 (ARV2 1322, 13; Burn, p. 106, cat. no. |
Floor fragment. Concentric bands and circles on underside of floor. Max. dim. 0.03; est. outer diam. of tondo 0.09. Burn, Meidias Painter, p. 118, cat. no. MM 148.
Woman (lower part of chiton, sandaled ... Ca. 410-400 B.C ... Burn, Meidias Painter, p. 118, cat. no. MM 148.
Woman (lower part of chiton, sandaled feet) seated to left on a klismos (all of one leg, a little of the other). ... Manner of the Meidias Painter, xii: Sundry (ARV2 1329, 118). |
Wall fragment with start of shoulder. Glaze pitted in places on outside. Max. dim. 0.063. W. B. Dinsmoor, Hesperia Suppl. V, p. 136, fig. 63:15.
At the right, the face of a woman or a youth and part of ... Ca. 470-460 B.C ... At the right, the face of a woman or a youth and part of the right arm, all but the hand wrapped in a himation, to left facing a woman or a man (left hand holding a purse). ... For a similar wrapping of the himation, see the youth holding a drinking cup on the obverse of Louvre CA 4704 by the Pig Painter (ARV2 570, 55; Addenda 261).
Earlier Mannerists, i: The Pig Painter (ARV1 372, 39); Manner of the Pig Painter (ARV2 566, 11). |
| Broken all around; fragment from wall of bell krater. A woman left (chiton and cloak), holding out a sheathed sword and a shield, which rests on the ground, towards another figure with left hand holding ... 22 July 1947 |
Floor fragment. Max. dim. 0.035.
I, woman (upper part of torso) to right wearing a peplos. On the outside, trace of ground line. Preliminary sketch. Relief contour.
The Sub-Meidian Cup-Group (i): Close ... Ca. 410-400 B.C ... Max. dim. 0.035.
I, woman (upper part of torso) to right wearing a peplos. ... The Sub-Meidian Cup-Group (i): Close to the Painter of London E 106, if not from his hand (ARV2 1396, 5). |
Fragment of miniature stand. Glaze fired brownish in places. P.H. 0.063.
Woman to right, carrying a box with a sash. Then comes another woman (illustrated) to right, looking back and wearing a short chiton ... First half of the 4th century B.C ... P.H. 0.063.
Woman to right, carrying a box with a sash. Then comes another woman (illustrated) to right, looking back and wearing a short chiton. ... White: second woman.
For a list of other miniature lebetes gamikoi, see F. |
| Two joining fragments from the wall of a closed pot. Head and shoulder of a woman, facing right, carrying a decorated box with three white dots on top and wearing thin chiton, necklace, earring and headband ... 2 May 1949 ... Head and shoulder of a woman, facing right, carrying a decorated box with three white dots on top and wearing thin chiton, necklace, earring and headband.
... The Washing Painter. |
Wall fragment with part of return and handle root. Max. dim. 0.075.
Woman (back of hair, much of body) dressed in a long chiton, leaning to right. Behind her is part of the handle ornament.
The position ... Probably early 4th century B.C ... Max. dim. 0.075.
Woman (back of hair, much of body) dressed in a long chiton, leaning to right. ... The position of the woman suggests that she may be a charioteer. For a contemporary parallel, see the one on a bell-krater associated with the Walters-Dresden Painter, Los Angeles 50.8.38 = A 5933.50.44 (ARV2 1438, ---; Addenda 377). |
| Mended from two pieces. Part of some vegetal ornament on the shoulder. Around top of body, simple maeander. Below, draped winged woman, right. Traces of fillet in added color, probably white, around the ... 1 April 1935 ... Below, draped winged woman, right. Traces of fillet in added color, probably white, around the hair. ... Near the painter of the Bowdoin Box, 480-470. |
| Fragment from the medallion; single line border; reserved exergue. Preserved is part of the lower drapery and one foot of a woman moving to right. She wears a chiton which falls in broad pleated folds ... 2 March 1938 |
Wall fragment from near shoulder. Max. dim. 0.039. Lezzi-Hafter, Eretria-Maler, p. 354, cat. no. 302, pl. 188:e.
Woman (head with fillet) to left, dressing. She holds the kolpos of her chiton between ... Ca. 430-420 B.C ... Lezzi-Hafter, Eretria-Maler, p. 354, cat. no. 302, pl. 188:e.
Woman (head with fillet) to left, dressing. ... For the motive of the woman holding the kolpos between her teeth, see 603.
The Calliope Painter (ARV1 736, 58; ARV2 1263, 81). |
Wall fragment. Max. dim. 0.10.
Nike (part of body and legs, wings) clad in a chiton, flying to left. Behind her, a woman (drapery) to left, and behind her, a bit of an object that may be a box; it looks ... Ca. 430-420 B.C ... Behind her, a woman (drapery) to left, and behind her, a bit of an object that may be a box; it looks like it is decorated with ivy. ... Compare the composition of Nike and a woman on the loutrophoros-hydria in Houston, 37.12, by the Washing Painter (ARV2 1127, 13; Addenda 332; Reeder, Pandora, pp. 163--165, cat. no. 23). |
| Single fragment, broken all around. Woman wearing chiton and himation and sakkos on head stands facing right. Her right arm is uplifted, her left held in front of her. In front of her is a wool basket ... 27 June-5 August 1972 ... Single fragment, broken all around. Woman wearing chiton and himation and sakkos on head stands facing right. ... ADDENDA Aischines Painter, J. Oakley, 22 May 1984. |
| From a closed pot, at the top of the shoulder; broken all around; unglazed inside. Head and shoulder of a woman to right: maenad. Sakkos; disk earring; chiton; shawl (or skin?) on shoulder, knotted at ... 13 March 1937 |
Wall fragment. Glaze a bit dull on outside. On inside at the very top, start of a line of reserve. Max. dim. 0.069.
Woman (upper part except for top of head) to right, dressed in a himation with a woolen ... Ca. 470-460 B.C ... Max. dim. 0.069.
Woman (upper part except for top of head) to right, dressed in a himation with a woolen fillet around her head. ... Related to the Alkimachos Painter (ARV2 534, ---, 2). |
Bowl fragment. Max. dim. 0.059; est. outer diam. of tondo 0.126.
I, woman (lower part of chiton with himation, foot) standing on tiptoe to left. Around tondo, stopped-maeander pattern. Relief contour ... Ca. 500-490 B.C ... Max. dim. 0.059; est. outer diam. of tondo 0.126.
I, woman (lower part of chiton with himation, foot) standing on tiptoe to left. ... The composition may have been something like the one in the tondo of a cup in the Lucerne Market by the Epidromos Painter in which a young girl, on tiptoe, reaches up to embrace a youth (ARV2 118, 14).
The Panaitios Painter (ARV2 one 215, 21); Onesimos (ARV2 328, 117). |
Floor fragment with ring base. Grooved on underside with broad concentric bands. Max. dim. 0.07.
Woman (legs enveloped in a chiton and himation) seated to right on a klismos (legs, seat). Small reserved ... Ca. 420-410 B.C ... Max. dim. 0.07.
Woman (legs enveloped in a chiton and himation) seated to right on a klismos (legs, seat). ... Probably by the Washing Painter or in his manner. ... For the drapery, see that of the seated woman on New York, M.M.A. |
Wall fragment. Some of the white ground has flaked. Max. dim. 0.064.
Woman seated to right. The woman (nearly all of head, body, right arm) sits on a klismos (back rest) dressed in a chiton and a decorated ... Ca. 440-430 B.C ... Max. dim. 0.064.
Woman seated to right. The woman (nearly all of head, body, right arm) sits on a klismos (back rest) dressed in a chiton and a decorated headdress as well as an earring and bracelet. ... Compare the Selinus Painter (ARV2 1201, ---). |
Three non-joining wall fragments of pyxis, a with flange for lid. Max. dim. a) 0.062, b) 0.042, c) 0.025. Matheson, Polygnotos, p. 428, cat. no. KLM 38.
Aphrodite, Eros, and another woman. Fragment a ... Ca. 430 B.C ... Aphrodite, Eros, and another woman. Fragment a preserves the wreathed head and right shoulder of a woman to left, wearing a chiton. ... In the lower right a bit of drapery belonging to another woman. Behind Eros:
Fragment c shows part of another wreath; below it, at thebreak:
Above the figures, egg pattern with dots. ... Between the Kleophon Painter and his pupil, the Dinos Painter (ARV2 one 789, 5); Manner of the Kleophon Painter (ARV2 1150, 28). |
Neck fragment with reserved areas at handles, flaring mouth, slightly concave on top, two grooves on underside at start of neck. Bands of glaze on top side of mouth and on inside of neck. Glaze pitted ... Ca. 420 B.C ... On each side, a woman (head with sakkos, shoulderswrapped in a himation) to left.
The Washing Painter (ARV2 1128, 95). |
Wall fragment. Max. dim. 0.054. Burn, Meidias Painter, p. 118, cat. no. MM 153.
Woman (upper part of body, right arm) to right, wearing a chiton and himation, also a necklace and bracelet. In front of ... Ca. 410-400 B.C ... Burn, Meidias Painter, p. 118, cat. no. MM 153.
Woman (upper part of body, right arm) to right, wearing a chiton and himation, also a necklace and bracelet. ... For the identification of the object as a thymiaterion, see the one held by Eros on Florence 81947 by the Meidias Painter himself (ARV2 1312, 2; Paralip. 477, 2; Addenda 361; Burn, Meidias Painter, p. 97, cat. no. |
Rim fragment with start of wall. Narrow reserved band on inside at rim. Glaze slightly greenish in places. Max. dim. 0.145; est. diam. at rim 0.40.
Woman (top of head with diadem) to right. On rim, laurel ... Ca. 400 B.C ... Max. dim. 0.145; est. diam. at rim 0.40.
Woman (top of head with diadem) to right. ... Beazley (ARV2 1345, ---) suggested that the woman stands in a chariot; if so, this explains why part of her diadem overlaps the reserved area between the body and start of rim.
Compare the Suessula Painter (ARV2 1345, ---). |
Complete except for handle. Glaze abraded in places. H. 0.112; diam. 0.069. P. E. Corbett, Hesperia 18, 1949, p. 313, cat. no. 10, pl. 81.
Woman dressed in a peplos, running to left, looking back and ... Ca. 420 B.C ... Corbett, Hesperia 18, 1949, p. 313, cat. no. 10, pl. 81.
Woman dressed in a peplos, running to left, looking back and holding a chest in her outstretched left hand. ... Perhaps by the Well Painter (ARV2 1221, ---, 2). |
| a) Single fragment, broken all around. Woman stands facing right. She wears chiton and himation. Both arms are extended. She holds something, perhaps a distaff in her left hand. Cf. P 30067.
b) Joining ... 27 June-5 August 1972 ... a) Single fragment, broken all around. Woman stands facing right. ... ADDENDA Karlsruhe Painter (JRG). |
Body fragment, mended and strengthened with plaster. P.H. 0.095; W. 0.078.
Two women (all of left except for head and shoulders; only the lower drapery and foot of right) facing, the right one probably ... Ca. 430 B.C ... The right woman wears a chiton and himation.
The Painter of the Edinburgh Oinochoe (ARV1 758, 4; ARV2 1217, 4). |
Shoulder fragment with two splashes of glaze on the inside. Surface slightly abraded. Max. dim. 0.043.
Woman (most of head, shoulders) in three-quarter view, wearing a chiton and necklace. At the right, ... Ca. 350 B.C ... Max. dim. 0.043.
Woman (most of head, shoulders) in three-quarter view, wearing a chiton and necklace. ... Compare the Marsyas Painter (ARV2 1476, ---, 1). |
Wall fragment. Max. dim. 0.065. Prange, Niobidenmaler, p. 165, cat. no. A 42.
Woman (face, a little bit of right shoulder with drapery, fingers) to left. The bit of glaze at the far right at the break ... Ca. 460 B.C ... A 42.
Woman (face, a little bit of right shoulder with drapery, fingers) to left. ... The Altamura Painter (ARV2 592, 30). |
Wall fragment from near turn of shoulder. Max. dim. 0.057.
Youth or woman (face, top of wreathed head) to right. At the bottom of the fragment is a bit of his or her drapery. Above, stopped-maeander pattern ... Ca. 480-470 B.C ... Youth or woman (face, top of wreathed head) to right. ... The Providence Painter (ARV1 435, 68; ARV2 641, 89). |
Floor fragment with stem and part of fillet. P.H. 0.047; max. dim. 0.098; diam. of tondo 0.086. H. A. Thompson, Hesperia 23, 1954, pl. 15:f.
I, head of woman to right, with sakkos. Reserved line for tondo ... Ca. 510-500 B.C ... I, head of woman to right, with sakkos. ... For the theme in the tondo of a cup, see 1565.
The Painter of the Agora Chairias Cups (ARV2 176, 7). |
Wall fragment with start of rim. Max. dim. 0.061.
Woman (head with stephane) to left. Behind her, the shaft of a staff or spear. Relief contour: nose. Dilute glaze: upper contour of eyelid; accidental ... Ca. 440-430 B.C ... Max. dim. 0.061.
Woman (head with stephane) to left. ... Dilute glaze: upper contour of eyelid; accidental splashes on cheek as if the brush just grazed it.
The Painter of the Louvre Centauromachy (ARV2 1092, 71). The subject may have been a departure and the composition similar to the one on side A of the painter's pelike in Laon (37.1024), in which a woman stands between two youths in Thracian costume (ARV2 1093, 87). |
Wall fragment with start of handle at left. Glaze fired reddish on inside. Max. dim. 0.085. H. A. Thompson, Hesperia 21, 1952, pl. 31:c. Matheson, Polygnotos, p. 386, cat. no. D 26.
Woman (nearly all ... Ca. 430-420 B.C ... D 26.
Woman (nearly all of head, body to hips, most of hands) standing to right, wearing a peplos. ... Manner of the Dinos Painter (ARV1 792, 9); the Dinos Painter (ARV2 1153, 25). |
Lip fragment. Glaze misfired grayish on outside. Reserved line on rim. Max. dim. 0.037. Lezzi-Hafter, Eretria-Maler, p. 326, cat. no. 117, pl. 83:c.
Woman (face, right shoulder) looking to left at someone ... Ca. 430-420 B.C ... Lezzi-Hafter, Eretria-Maler, p. 326, cat. no. 117, pl. 83:c.
Woman (face, right shoulder) looking to left at someone who faces her and who holds a phiale (fingers of left hand; half of vessel).
The Calliope Painter (ARV2 one 734, 15; ARV2 1260, 20). |
Wall fragment of pyxis with flange for lid. Groove just below flange. Surface incrusted with iron oxide accretions. Max. dim. 0.063.
Woman (lower legs, feet missing) dressed in a himation, standing to ... Ca. 450 B.C ... Max. dim. 0.063.
Woman (lower legs, feet missing) dressed in a himation, standing to left, right arm extended. ... It may be the top of a wool basket like the one on Athens, Vlasto (ARV2 963, 87) and Vienna 3720 (ARV2 963, 88), both by the Painter of London D 12.
The Painter of London D 12 (ARV2 one 629, 35; ARV2 963, 93). |
Part of mouth, neck, and shoulder. P.H. 0.086; max. diam. 0.077.
Two women (heads of each, right shoulder of right), the left one holding a large alabastron. The right woman wears a peplos and has a fillet ... Late 5th century B.C ... The right woman wears a peplos and has a fillet with spikes around her head. ... The Bull Painter (ARV2 1350, 28). |
Floor fragment with part of grooved ring base. Band and concentric circles on underside. Glaze fired reddish on inside behind woman. Max. dim. 0.07; est. diam. of base 0.09.
I, woman (head, shoulders, ... Ca. 410-400 B.C ... Glaze fired reddish on inside behind woman. Max. dim. 0.07; est. diam. of base 0.09.
I, woman (head, shoulders, left wrist and hand, lower legs, and feet missing) seated to right on a rock, dressed in a chiton. ... E 775, which shows Dionysos with maenads (ARV2 1328, 92; Addenda 364; Burn, Meidias Painter, p. 116, cat. no. |
Wall fragment. Glaze thin in places. Max. dim. 0.113. Choes and Anthesteria, p. 88, cat. no. 217, fig. 192; Beck, Album, pl. 77:382.
At the left, a woman (forearms and hands, legs with chiton and himation) ... Ca. 450-440 B.C ... The composition on 904 may have looked something like the one by the Phiale Painter in Copenhagen, inv. 1942 (ARV2 1020, 88; Paralip. 441, 88; Addenda 315; Oakley, Phiale Painter, p. 80, cat. no. 88, pl. 69); there, however, the dancer is nude.
The Phiale Painter (ARV2 1020, 89; Addenda 315); not certainly by him (ARV2 1678, 89). Removed from the Phiale Painter (Oakley, Phiale Painter, p. 81, cat. no. 89). |
Wall fragment. Max. dim. 0.05.
Woman (lap) seated to left (on what is unclear), wearing a voluminous garment. Preliminary sketch.
In a letter from J. D. Beazley to Lucy Talcott dated May 26, 1956, Beazley ... Ca. 350-330 B.C ... Max. dim. 0.05.
Woman (lap) seated to left (on what is unclear), wearing a voluminous garment. ... Beazley to Lucy Talcott dated May 26, 1956, Beazley remarked that 1307 "certainly recalls the Marsyas Painter . . . although it seems rather weak for him; but the Marsyas pelike is weak for him." |
| Part of the knob handle with depression at center and dotted egg pattern around. Of the lid itself, no edges remain. Reclining draped woman, left, head turned back to another woman bringing a large box ... 3 April 1947 ... Reclining draped woman, left, head turned back to another woman bringing a large box and followed by two more women bringing gifts. ... ADDENDA "For a real treat, a complete lekane lid by the same painter as Agora P 17562, see Materiali po arkheologie Russie 35, pl. 10,2." |
Fragment, glazed on underside. Glaze fired brown on top side. Max. dim. 0.045.
Woman (wreathed head with earring) to right. Behind her is the upper right corner of a chest. At the right break is part ... Second quarter of the 4th century B.C ... Max. dim. 0.045.
Woman (wreathed head with earring) to right. ... White: woman's flesh.
The Painter of Agora P 17562 (ARV2 1502, ---, 3). |
Lower part of wall of pyxis, part of tripartite foot. P.H. 0.06; est. diam. 0.13. Roberts, Pyxis, p. 51, cat. no. 22, Pl. 25:1, fig. 5:c.
Women. From left to right: wool basket; lower part of woman (himation ... Ca. 450 B.C ... From left to right: wool basket; lower part of woman (himation and chiton, feet) to left; shaft and base of column; lower part of woman (himation and chiton, feet) hurrying to right. ... The Veii Painter (ARV2 906, 113; Addenda 303). |
Wall fragment. Glaze thin in places on outside. Max. dim. 0.113.
A, male pursuing a woman. Parts of three figures remain: at the left, a bit of the himation and chiton, and left foot of a woman running ... Ca. 460 B.C ... A, male pursuing a woman. Parts of three figures remain: at the left, a bit of the himation and chiton, and left foot of a woman running to left, then part of the legs and right toes of a man pursuing a woman (bottom of skirt of chiton, heel of one foot) who runs to right. ... For a good comparison, see a stamnos attributed to the Painter of the Birth of Athena, Kassel, Alg. 59 (ARV2 495, 8; Addenda 250). ... The Florence Painter or the Boreas Painter (ARV2 545, 1). |
Two non-joining wall fragments with start of rim. Reserved band on inside. Max. dim. a) 0.066, b) 0.068.
Fragment a (illustrated) shows Eros (end of each wing, right leg from the knee down missing) kneeling ... Second quarter of the 4th century B.C ... In front of him are the back of the wreathed head and left shoulder of a woman to left. Each of these figures wears a chiton. White: Eros; wreaths; fillets; garment of woman on b. Dilute glaze: drawing on white.
For the figure of Eros about to crown a woman, see Bonn 540 by the Meleager Painter (ARV2 1411, 29; Addenda 374). |
| Painter of Berlin A 34. Berlin A 34. Woman Painter. ABV. Paralipomena. Athens, N.M. 16384. Nettos Painter. Chimaera Painter. Eleusis Z 21. Aigina 565. London, B.M. 1874.4-10.1. Agora VIII, p. 99, under ... Agora 23 74 ... Painter of Berlin A 34 ... Woman Painter ... Nettos Painter |
Floor fragment with start of stem. Glaze somewhat pitted on underside. Max. dim. 0.059.
I, youth or man (torso, part of legs) kneeling to right. In front of him, start of another figure, probably a woman ... Ca. 450 B.C ... In front of him, start of another figure, probably a woman. Behind him at the break:
Preliminary sketch. ... Cf. the Triptolemos Painter: Tarquinia (ARV2 367, 93; Addenda 223). |
Wall fragment. Glaze pitted in places on outside. Max. dim. 0.076.
Man (lower part of fringed garment, start of legs) pursuing a woman (drapery, right hand about to take hold of a fold) to right. Preliminary ... Ca. 460 B.C ... Man (lower part of fringed garment, start of legs) pursuing a woman (drapery, right hand about to take hold of a fold) to right. ... Berlin 2186 by the Berlin Painter (ARV2 208, 150; Kaempf-Dimitriadou, Liebe der Götter, p. 36, fig. 6); Naples, inv. 81529 = 3139 from the Circle of the Pan Painter (ARV2 560, 3; Addenda 259); two by the Euaion Painter, Frankfurt VF 406 (ARV2 796, 117; Addenda 290) and Athens, N.M. 1586 (ARV2 798, 146; Addenda 290); Basel, Antikenmuseum und Sammlung Ludwig, LU 53, a stamnos attributed by Lullies to the Christie Painter (Kaempf-Dimitriadou, pl. 28:3; Matheson, Polygnotos, p. 373, cat. no. |
Wall fragment from near handle and a little of the return below the rim. Max. dim. 0.085. Matheson, Polygnotos, p. 368, cat. no. CHR 17.
Woman (most of head with fillet, right half of body to waist) to ... Ca. 440 B.C ... CHR 17.
Woman (most of head with fillet, right half of body to waist) to right, wearing a peplos. ... She is also similar to the one on Vienna 782 by the Christie Painter (ARV2 1047, 10; Addenda 320; Matheson, p. 367, cat. no. ... The Christie Painter (ARV2 1047, 16). |
Fragment with start of rim on underside. Knob broken off, showing scoring. Glazed on underside. Max. dim. 0.165.
Women and Eros. At the left, a woman (most of legs missing) stands to right, looking back, ... Mid-4th century B.C ... At the left, a woman (most of legs missing) stands to right, looking back, holding in her raised hands a tympanon with little streamers hanging from its rim. ... At the far right, head of a woman to left. White: flesh; rim of tympanon, streamers (flaked). ... Compare the Painter of Agora P 17562 (ARV2 1502, ---). |
Wall fragment from top of stand with molding and bottom of lebes.
Glaze abraded along edge of rim. P.H. 0.09.
Woman (most of head with sakkos) to right. Behind her, traces of an object, perhaps a chest ... Ca. 410-400 B.C ... P.H. 0.09.
Woman (most of head with sakkos) to right. ... For a chest held at this height, see Athens, N.M. 1659 from the Sundry Group of Painters in the Manner of the Meidias Painter (ARV2 1322, 11; Burn, Meidias Painter, p. 106, cat. no. |
Rim and wall fragment. Reserved line on inside of rim. Glaze scratched in places; abraded on rim. Max. dim. 0.055; est. diam. at rim 0.16.
Woman (filleted head bent downward slightly, start of shoulder ... Ca. 410 B.C ... Max. dim. 0.055; est. diam. at rim 0.16.
Woman (filleted head bent downward slightly, start of shoulder with a little drapery) to left. ... The Fauvel Painter (ARV2 1286, 11). |
Floor fragment with part of molded ring base. Max. dim. 0.105; est. diam. of base 0.125.
I, woman (head, upper torso) seated to right on a klismos (back), clad in a himation, her hair tied up with a fillet ... Ca. 430 B.C ... Max. dim. 0.105; est. diam. of base 0.125.
I, woman (head, upper torso) seated to right on a klismos (back), clad in a himation, her hair tied up with a fillet. ... Partial relief contour.
The Painter of London E 122 (ARV2 one 773, 3; ARV2 1297, 8). |
Wall fragment with start of rim. Max. dim. 0.048.
Woman (most of head, a bit of her himation) to left. Above, egg pattern with dots. Preliminary sketch. Dilute glaze: muscle of neck.
Some resemblance ... Ca. 470 B.C ... Max. dim. 0.048.
Woman (most of head, a bit of her himation) to left. ... Some resemblance to the Muses on the calyx-krater in Schwerin, 706 = 1261, by the Villa Giulia Painter (ARV2 618, 6; Addenda 270), but I am not sure the hand is the same. |
Shoulder fragment with start of return. Neck glazed on inside. Max. dim. 0.075. R. Young, Hesperia 20, 1951, pl. 66:a.
Woman (head with sakkos and most of right hand raised in alarm) probably running ... Ca. 460 B.C ... Young, Hesperia 20, 1951, pl. 66:a.
Woman (head with sakkos and most of right hand raised in alarm) probably running to right, looking back. ... Earlier Mannerists, vi: The Perseus Painter (ARV2 582, 20). |
Wall fragment. Part of white ground abraded. Some of the drawing is very faint. Max. dim. 0.079.
Woman (preserved but for part of chest and all of feet) to right, dressed in a chiton and balancing a long, ... Second quarter of the 5th century B.C ... Max. dim. 0.079.
Woman (preserved but for part of chest and all of feet) to right, dressed in a chiton and balancing a long, shallow basket on her head. ... The Tymbos Painter (ARV1 504, 36; not in ARV2). |
Body fragment with start of shoulder. P.H. 0.102.
A woman, dressed in a chiton and himation, a sakkos on her head, stands frontally, head to left. She wears an earring and holds a sash in her right hand ... Ca. 450 B.C ... P.H. 0.102.
A woman, dressed in a chiton and himation, a sakkos on her head, stands frontally, head to left. ... The Comacchio Painter (ARV1 633, 36; ARV2 958, 68). |
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