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Wall fragment.
Upper part of a female figure, right, her hand raised to her breast. Her flesh is indicated in white, and she wears a white dress; details in yellow over-painting. Behind her, at left, ... 13 March 1931 ... Wall fragment.
Upper part of a female figure, right, her hand raised to her breast. Her flesh is indicated in white, and she wears a white dress; details in yellow over-painting. Behind her, at left, a bit of drapery, or a cushion (?)
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| Fragment from wall near top; broad reserved band near upper edge of fragment inside. Parts of two figures, right. At the left, a hand carrying a thyrsos; then a woman in an embroidered dress, carrying ... April-May 1936 ... Fragment from wall near top; broad reserved band near upper edge of fragment inside. ... White with yellow over-painting for the woman's flesh; added white for the berries of the thyrsos(?). |
Wall fragment.
Bearded figure reclining on cushions, left; a cloak is thrown over his legs, and a part of the drapery of another reclining figure appears behind him at right.
Relief contour for chest ... 1931 ... Wall fragment.
Bearded figure reclining on cushions, left; a cloak is thrown over his legs, and a part of the drapery of another reclining figure appears behind him at right.
... "By a contemporary of the painting of London F4, the style something like him. |
| Surface gone from lower left part of plaque.
A goddess with upraised hands standing between two snakes. The head in relief. In upper corners, holes for suspension.
Painting in deep red over white slip, ... 31 March 1932 ... In upper corners, holes for suspension.
Painting in deep red over white slip, with accessory yellow and blue. ... Terracotta deposit. 1.90m. west of north-south wall. |
Mended from two fragments. Feet, and most of right foreleg and left hindleg missing.
Tail down left leg. White color over an original painting of lustrous black on the left side only.
It 's from a group, ... 21 April 1932 ... White color over an original painting of lustrous black on the left side only.
... Terracotta deposit, 0.60 m. below wall. |
| Fragment from upper wall; narrow reserved band, below rim, at top.
A female figure, seated left, looking right, holds her cloak out behind her shoulders. From the left, two hands offer her a phiale, or ... 17 March 1931 ... Fragment from upper wall; narrow reserved band, below rim, at top.
... White for the woman's flesh, and for her chiton, with diluted glaze over-painting for details; white (faded) for her hair-ornaments, and the objects on the tray.
... Below Great Wall. |
Handle Of Closed Vessel.
Broken at top and bottom; part of wall of vessel preserved at bottom.
Vertical handle, triangular in section, from vessel with sloping shoulder, perhaps a rather plump oinochoe ... 2nd century? ... Broken at top and bottom; part of wall of vessel preserved at bottom.
... Trace of painting in orange and white on vessel wall. |
| Fragment from wall of bell-krater, broken all around. Heads and parts of upper bodies of three harnessed prancing horses moving left past four columns. Trace of a figure at left edge of fragment. Coarse ... 13 June 1939 ... Fragment from wall of bell-krater, broken all around. ... Coarse relief contour for the horses; the columns white, with yellow over-painting; yellow studs on the harness. |
Wall fragment.
Draped standing female figure, a maenad, left, holding a thrysos in her left hand. She wears a bordered chiton, and a double bracelet.
Relief contour along the lower line of the arm. Extremely ... 1931 ... Wall fragment.
Draped standing female figure, a maenad, left, holding a thrysos in her left hand. ... "In the neighborhood of the painting of London E 4; early 4th c." |
| About half of length and wall to full height preserved on one side.
Rectangular sarcophagus with plain projecting base, straight side wall with small and large half round moldings (archaic) at the top, ... June 1946 ... About half of length and wall to full height preserved on one side.
Rectangular sarcophagus with plain projecting base, straight side wall with small and large half round moldings (archaic) at the top, plain flat rim above. ... Built into east wall of Great Drain. |
| Two fragments, a large one preserving about a third of the circumference of the rim and one horizontal loop handle; and a small one, a bit only from the wall. None of the base remains. Profiled wall; plain ... 11 March 1935 ... Two fragments, a large one preserving about a third of the circumference of the rim and one horizontal loop handle; and a small one, a bit only from the wall. None of the base remains. Profiled wall; plain lip tilted inwards. ... After painting, the pot was set upside down and the paint ran toward the lip. |
Wall fragment.
Nude male figure seated right, his left hand on his knee, in his outstretched right a pyxis (?). To right, the top of a thyrsos, belonging to ring handled (?) Dionysos who reclines below ... 1931 ... Wall fragment.
Nude male figure seated right, his left hand on his knee, in his outstretched right a pyxis (?). ... White for pyxis with yellow over painting; white also for the berries of the thyrsos.
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Female head, right, her hair bound by an embroidered kerchief. She wears earrings and a necklace.
White for the flesh and the kerchief, with details in yellow over-painting. The hair sketched in brown ... 27 February 1931 ... White for the flesh and the kerchief, with details in yellow over-painting. The hair sketched in brown on reserved ground. ... Below Great Wall. |
Fragment from upper wall.
Female figure, facing, looking left; she wears a dress with embroidered yoke, earring, and broad headband. Remains of two other figures: a hand stretched out toward the woman ... 3 February 1931 ... Fragment from upper wall.
Female figure, facing, looking left; she wears a dress with embroidered yoke, earring, and broad headband. ... Firm white for the woman's flesh, with yellow over-painting. Glaze fired dark red outside, lighter red inside.
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| Parts of the walls and rim preserved, making up to six fragments. Nothing remains of the base. Flaring lower wall, forming an angle with the slightly concave upper wall; projecting rim, its vertical outer ... 27 April 1940 ... Flaring lower wall, forming an angle with the slightly concave upper wall; projecting rim, its vertical outer face in two degrees, the upper projecting above the rim, the lower overhanging. ... White also for her underdress; yellow over-painting, earring, and necklace.
... A reserved groove around the lip, and another at the base of the wall. |
Foot missing.
Neck-pithos with deep ovoid body and heavy collar rim. Decoration of raised ridges: a pair at junction of neck and shoulder, and two pairs on wall. Black glaze, thin and uneven, outside ... Found used as a burial urn; burial of ca. 525-500 B.C ... Decoration of raised ridges: a pair at junction of neck and shoulder, and two pairs on wall. Black glaze, thin and uneven, outside except on rim, and inside around upper part of neck only.
... Large collar-rimmed pithoi are best known from rep- resentations in vase-painting; see p. 193, note 1. A wall fragment from the moderate-sized ridged pithos, as 1520, was used as an ostrakon against Themistokles (482 B.C.): P 18082 A 18-19:1. |
Wall fragment from just below rim with start of handle at far right.
Reserved band on inside. Max. dim. 0.059.
Girl to left, hair flying, hands on hips, a ribbon in her hair (girl on seesaw[?]). White ... Second quarter of the 4th century B.C.? ... Wall fragment from just below rim with start of handle at far right.
... Beazley suggested the subject for 491 and in CB iii, pp. 48--49 gives a list of examples of a seesaw in Greek vase painting in which 491 is tentatively included. |
| From a small choe:
a) Two joining fragments preserving part of upper wall and neck.
b) Wall fragment.
Preserved of the scene is the partly draped figure of a girl, seated right, driving by a dog in a ... 19 March 1938 ... From a small choe:
a) Two joining fragments preserving part of upper wall and neck.
b) Wall fragment.
... Firm white, with yellow over-painting, for the girl's flesh and the tail; added clay for the fillets of both figures. |
| Fragment from shoulder and wall of a closed pot. Parts of two figures preserved; at left, a woman right, playing the double flutes, her hands, the flutes, and a bit of the front of the head(?) preserved ... April-May 1936 ... Fragment from shoulder and wall of a closed pot. ... White with yellow over-painting for the woman's hands and the youth's cloak. |
From the wall of a large open vase. Outside, elaborate painted decoration: an ivy garland (white); hanging from it, two broad dark red streamers and a white leaf; over painting in thinned glaze on the ... 11 May 1938 ... From the wall of a large open vase. Outside, elaborate painted decoration: an ivy garland (white); hanging from it, two broad dark red streamers and a white leaf; over painting in thinned glaze on the white; and in white on the red.
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Two fragments from Trench A, joining another from Trench D.
Two wall fragments.
On a) Dionysos, seated left, looking right; he wears a fillet with dots above, and a bordered cloak thrown over his legs, ... 17 December 1930
12 February 1931 ... Two fragments from Trench A, joining another from Trench D.
Two wall fragments.
On a) Dionysos, seated left, looking right; he wears a fillet with dots above, and a bordered cloak thrown over his legs, he holds a thrysos in his left hand. ... White for the hair ornaments, with pink over; white, with pink over, and yellow painting for details, for the woman's hand, white also, with dilute glaze overpainting for her drapery, and for the rectangular object. |
| Parts of rim and nearly a quarter of wall missing; restored in plaster.
A cylindrical drum, tapering around top. Heavy rim, flat on top and sharply profiled; lower wall thickened to form heavy collar ... 28 May-16 June 1938 ... Parts of rim and nearly a quarter of wall missing; restored in plaster.
... Heavy rim, flat on top and sharply profiled; lower wall thickened to form heavy collar. ... Below these the wall is girdled by three high sharp ridges.
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| Fragment from upper wall of bell krater; bit of reserved band below rim preserved. Parts of two figures remain, a youth, left, holding a large club and a woman facing him. He wears a white fillet and white ... 10 March 1939 ... Fragment from upper wall of bell krater; bit of reserved band below rim preserved. ... White for her flesh, with yellow over-painting; no relief contour.
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| The foot broken away, the lip chipped and a few fragments missing from lower wall on reverse. Full deep body, the point of greatest diameter about half-way between handle and base; torus lip, set off from ... 5 May 1938 ... The foot broken away, the lip chipped and a few fragments missing from lower wall on reverse. Full deep body, the point of greatest diameter about half-way between handle and base; torus lip, set off from neck by a ridge; thickened band handles. ... White for large fruits on the tree, for details on the quiver, for the axe handle, for dot-rosettes on both garments, and white glaze over-painting for the rock. |
Three non-joining fragments, a + b + e and c with rim and wall as well as start of handle, d of wall. Reserved line at top of rim. Some of the drawing abraded. P.H. a/b/e) 0.118; est. diam. at rim 0.17; ... Ca. 430 B.C ... Three non-joining fragments, a + b + e and c with rim and wall as well as start of handle, d of wall. ... Clairmont ("Studies in Greek Mythology and Vase Painting," Yale Classical Studies 15, 1957 [ pp. 161--178], p. 165, note 6) thinks that 1327 represents the contest between Apollo and Marsyas, for he did not accept Beazley's suggestion, made in the summer of 1953, that 1337, which shows a satyr, does not belong to 1327.
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Mended from many fragments, with missing pieces restored in plaster and painted, notable among them the left horizontal handle and part of the wall below it. Glaze fired greenish around left handle; abraded ... Ca. 430 B.C ... Mended from many fragments, with missing pieces restored in plaster and painted, notable among them the left horizontal handle and part of the wall below it. Glaze fired greenish around left handle; abraded below vertical handle. ... On the far right there is a fillet hanging on the wall. On lower molding of mouth, egg pattern. ... XXV, p. 84, cat. no. 80, pl. 30); and the figure of Leto in the Naples painting on marble of knucklebone players (H. |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. ... To judge by the surface and the thickness of the wall, it comes from the part of the composition about level with the thighs of the satyrs, and it may be part of the satyr who is about to empty his basket of grapes. ... Hedreen, Silens in Attic Black-Figure Vase-Painting: Myth and Performance, Ann Arbor 1992, pp. 85--88: here the focus is on vintage scenes as they relate to Dionysos and Naxian wine. |
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