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[Agora Publication Page] Agora 30, s. 148, p. 129

Fourth-Century Painters. ARV² 1361-1362. Paralip. 484. Addenda 372. ARV² 1363-1364. ARV² 1391, 1. ARV² 1391-1397. ARV² 1362-1363. Addenda 370. Paralip. 487. Addenda 373. ARV² 1364, 1. ARV² 1364. ARV² 1398-1399 ... Agora 30 129 P 16879 ... Paralip. 484 ... Paralip. 487 ... Paralip. 488

[Agora Object] P 19150: Red Figure Column Krater Fragment

Four joining pieces give part of the lower wall of a large partly closed pot: column krater? Glaze inside firm, but dull and streaked. Of the scene, parts of three figures remain; the border below the ... 3-7, 14-19 July 1947

[Agora Publication Page] Agora 30, s. 91, p. 72

Bloesch, FAS, pp. 118-119. J.R. Mertens, Attic White-Ground Cups: A Special Class of Vase, MetMusJ 9, 1974, pp. 91-108. ABV 212-215, 690. Paralip. 102-103. Wehgartner, Attisch weissgrundige Keramik, pp ... Agora 30 72 P 2578 ... Paralip. 102-103 ... Dimitriu, Bucharest 2 [Roumanie 2], p. 21 ... Paralip. 488, 2

[Agora Object] Agora XXX, no. 309

Rim fragment. Narrow reserved band on inside at rim. Max. dim. 0.097. Below rim, egg pattern with dots on fascia; then a concave molding decorated with a ribbon pattern with dots in the interstices. ... Ca. 440 B.C ... For the ribbon pattern, not common on the rims of bell-kraters, see Villa Giulia 50590 by the Hischylos Painter (ARV2 162, 5; Addenda 182); Argos, C 909 by Hermonax (ARV2 485, 23; Addenda 248); Oxford 1954.246, probably by the Painter of the Woolly Satyrs (ARV2 614, ---, 2); Boston, M.F.A. 10.215 by the Chicago Painter (ARV2 629, 20); two by the Barclay Painter: Louvre A 488 (ARV2 1067, 2) and Basel, Antikenmuseum und Sammlung Ludwig, Kä 404 (ARV2 1067, 2 bis; 1681; Paralip. 447, 2 bis; Addenda 325; CVA, Basel 3 [Schweiz 7], pl. 12 [324]:1,2); Syracuse 22886 by the Eupolis Painter (ARV2 1073, 3); four unattributed examples: from Olynthos inv. 8.56 (Robinson, Olynthos V, pl. 65:110), Louvre G 485 (CVA, 5 [France 8], pl. 32 [373]:1, 3, 4, 6), Delos, no no.

[Agora Publication Page] Agora 30, s. 46, p. 27

H. Hinkel, Der giessener Kelchkrater, Giessen 1967, pp. 38-67. D. von Bothmer, AA, 1976 [pp. 485-512], p. 488-489. Euphronios, cat. no. 1. ARV² 14, 2. Paralip. 322, 2. Tiverios, Περίκλεια, pp. 59-80. Addenda ... Agora 30 27 ... D. von Bothmer, AA, 1976 [pp. 485-512], p. 488-489 ... ARV² 14, 2 ... Paralip. 322, 2

[Agora Publication Page] Agora 30, s. 164, p. 145

ARV² 208, 150. Kaempf-Dimitriadou, Liebe der Götter, p. 36, fig. 6. ARV² 560, 3. Fill. Addenda 259. ARV² 796, 117. Addenda 290. ARV² 798, 146. Kaempf-Dimitriadou, pl. 28:3. Matheson, Polygnotos, p. 373, ... Agora 30 145 P 14514 P 20034 P 16921 P 23214 P 18999 P 25348 P 25018 P 20682 A-B 21-22:1 R 10:6 ... 460-450 B.C ... ARV² 488, 83 ... ARV² 1102, 2 ... Paralip. 452, 2

[Agora Publication Page] Agora 30, s. 94, p. 75

Lezzi-Hafter, Eretria-Maler, pp. 253-262. A. Petridou-Gorecki, Mode im Antiken Griechenland, Munich 1989, pp. 16-20 and p. 138, notes 15-18. ARV² 1250, 34. Paralip. 469, 34. Addenda 354. Lezzi-Hafter, ... Agora 30 75 ... Paralip. 469, 34 ... Ἐφ 1892, pl. 13:2 ... Paralip. 375, 95

[Agora Object] Agora XXX, no. 234

Four non-joining fragments of rim and neck, P 25978 a preserving the spiral of one handle, P 28759 with start of shoulder. Two small fragments (P 25978 b and c) give a bit of the flange of a handle and ... Ca. 500-490 B.C ... The nudity of the youth seems more suitable for Theseus, although on many occasions Herakles appears nude, even in a scene where he captures the Cretan Bull (see Basel, Antikenmuseum und Sammlung Ludwig BS 488 by the Delos Painter, on which the hero's name is inscribed: ARV2 172, 4; Addenda 184; there he restrains the beast as it leaps forward). ... For encircled palmettes on the necks of red-figured volute-kraters, cf. the following, all in the upper zone and all in reserve, not black glaze: one by the Nikoxenos Painter, Munich 2381 (ARV2 221, 14; Addenda 198); another akin to him, Toronto 959.17.187 (ARV2 223, ---, 2; Paralip. 346, 2); two by the Karkinos Painter: New York, M.M.A. 59.11.20 (ARV2 224, 1) and New York, M.M.A. 21.88.74 (ARV2 224, 2; Addenda 198). 234 probably belongs among those vases akin to the Nikoxenos Painter rather than those by the painter himself or in his manner. ... The column with the top-heavy capital is best paralleled on Athens, N.M. 1425 (ARV2 223, 6; Paralip. 346, 6), which is akin to the painter.