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| Late Fifth-Century Pot Painters; Late-Fifth Century Pot Painters of Small Pots. ARV² 1335, 31. Addenda 365. ARV² 1343-1344. Addenda 367. ARV² 1338, 1. Paralip. 481, 1. Addenda 366. ARV² 1344-1346. Paralip ... Agora 30 128 ... Paralip. 481, 1 ... Paralip. 482 ... Paralip. 482, 1 |
| Oinochoai; Oinochoai; Shape 3; Chous. Other. E. Vanderpool, Hesperia 15, 1946, p. 313, no. 210, pl. 62. Well. Fill. Athena Painter. Paralip. p. 296. Painter of Villa Giulia M. 482. Villa Giulia M. 482 ... Agora 23 199 P 1559 P 24675 P 5209 P 6091 P 24681 P 4573 P 15723 P 4276 P 1397 P 1558 P 9278 P 15957 P 23342 G 6:3 R 12:4 E-F 12-14 E 14:11 M 17:4 F 19:4 H 12:15 ... Early 5th B.C ... Paralip. p. 296 ... Painter of Villa Giulia M. 482 ... Villa Giulia M. 482 |
| ARV² 8, 9. Addenda 151. ARV² 9, 2 and 41, 38. ARV² 16, 17. Paralip. 322, 17. Addenda 153. Euphronios, cat. no. 41. Mertens, AK 22, 1979, pl. 14:1-3, 6. ARV² 9, 1. Seki, Gefässform-Schalen, pp. 60-61 and ... Agora 30 69 ... Paralip. 322, 17 ... Mertens, AK 22, 1979, pl. 14:1-3, 6 ... ARV² 9, 1 |
| Epinetra. Sappho Painter. Diosphos Painter. Golonos Group. Thymiateria. Agora XII, p. 230. D. M. Robinson, AJA 49, 1945, pp. 480-490. ABL, p. 228, nos. 53-54 bis. ABL, p. 237, no. 118. Paralip. 250. Pamela ... Agora 23 69 ... Paralip. 250 ... Paralip. 220, 4 ... Paralip. 220 |
| The base, most of the central medallion, and one handle are preserved. Medallion is outlined with a single line of brown glaze. The figure is that of a standing youth (Apollo?) facing right and playing ... 2 July 1931 ... Mertens (1977), pl. 34:1 ... Diepolder (1936), pl. 2:1 ... Paralip., p. 389. |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... Usually, Dionysos is present, as in the scene by the Cleveland Painter in New York (M.M.A. 41.162.10: ARV2 516, 4; Paralip. 382, 4; Addenda 253) or there may be three satyrs by themselves (e.g., Lecce 602 by the Leningrad Painter: ARV2 569, 39; Paralip. 390, 39; Addenda 261).
173 presents a number of problems concerning interpretation of details. ... A good parallel is the trough on Bologna 241 by the Orchard Painter (ARV2 524, 25; Paralip. 383, 25; Addenda 254) or Ferrara 42684 = T.254 C VP, a later work by the same artist (ARV2 524, 26; Paralip. 383, 26; Addenda 254). ... The Flying Angel Painter (ARV 1 184, 25; ARV2 281, 30). |
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