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| Fragment of pelike by Pan Painter.
Paris, Louvre 10793 ... Horizontal (normal) ... Fragment of pelike by Pan Painter.
Paris, Louvre 10793. |
| Herms by the Pan Painter on pelike, in Louvre ... comparative material ... 1972 ... Herms by the Pan Painter on pelike, in Louvre. |
| From a closed pot, at the top of the shoulder; broken all around; unglazed inside. Head and shoulder of a woman to right: maenad. Sakkos; disk earring; chiton; shawl (or skin?) on shoulder, knotted at ... 13 March 1937 ... ARV, p. 368, no. 102, Pan Painter. |
| pl. 65. Pelike by the Pan Painter. Louvre. Neo-Attic Relief, Richmond, Virginia Museum of Fine Arts. Early Classical Herm Head. Athens, National Museum ... Agora 11 ... Pelike by the Pan Painter. Louvre. |
Shoulder fragment with start of neck at very top. Max. dim. 0.044. W. B. Dinsmoor, Hesperia Suppl. V, p. 136, fig. 63:17; Follmann, Pan-Maler, pl. 11:4.
Maenad (most of head, uppermost part of torso) ... Ca. 470 B.C ... V, p. 136, fig. 63:17; Follmann, Pan-Maler, pl. 11:4.
... Dilute glaze: hair; pelt; folds of chiton.
The Pan Painter (ARV2 one 368, 102; ARV2 558, 140). |
| Ure's Class of Skyphoi K 2, silhouette. Würzburg 351. Painter of Würzburg 351. Kleophrades, potter. Kleophrades Painter. Ure's Class of Skyphoi R. Xanthos A 6.3444. Painter of Xanthos A 6.3444. Makron ... Agora 23 358 ... Painter of Würzburg 351 ... Kleophrades Painter ... Pan Painter |
Wall fragment. Max. dim. 0.046.
Woman or youth (lower part of face, left shoulder with chiton), probably moving to left, looking back. The hand of a pursuer grasps folds of the chiton. Relief contour: ... Ca. 470 B.C ... Normally, either pursuit is from left to right, but in the work of the Pan Painter, an example of each subject occurs in which the action moves from right to left. ... What remains on 69 is particularly close to the latter composition and might tip the scale in favor of identifying the scene on 69 as Eos and Kephalos.
The Pan Painter (ARV2 558, 131). |
Wall fragment. Glaze pitted in places on outside. Max. dim. 0.076.
Man (lower part of fringed garment, start of legs) pursuing a woman (drapery, right hand about to take hold of a fold) to right. Preliminary ... Ca. 460 B.C ... Berlin 2186 by the Berlin Painter (ARV2 208, 150; Kaempf-Dimitriadou, Liebe der Götter, p. 36, fig. 6); Naples, inv. 81529 = 3139 from the Circle of the Pan Painter (ARV2 560, 3; Addenda 259); two by the Euaion Painter, Frankfurt VF 406 (ARV2 796, 117; Addenda 290) and Athens, N.M. 1586 (ARV2 798, 146; Addenda 290); Basel, Antikenmuseum und Sammlung Ludwig, LU 53, a stamnos attributed by Lullies to the Christie Painter (Kaempf-Dimitriadou, pl. 28:3; Matheson, Polygnotos, p. 373, cat. no. |
| Early Classical Painters of Large Pots; The Pan Painter. AK 19, 1976, pl. 15. Addenda 256. Esposito and de Tommaso, Vasi attici, p. 63, fig. 96. B. Ashmole, Architect and Sculptor in Classical Greece, ... Agora 30 105 P 30013 P 30014 ... Early Classical Painters of Large Pots; The Pan Painter ... Robertson, Two Pelikai by the Pan Painter, greek Vases in the J. ... Beazley, The Pan Painter, Mainz 1974 |
Deeply outcurved rim, slender uptilted handles, disc foot with spreading outer profile. Inscribed on inside, underside and exterior. The graffiti on this and other lekanai from the same deposit, here 1794, ... Context ca. 470-460 B.C ... A faithful representation of just such a lekane appears in the sacrifice scene on the cup in Oxford 1911. 617: ARV 559, 152, late work of the Pan painter. In outward appearance the disc foot is indistinguishable from the ring foot; for the types common in this deposit see 1795-1797, Fig. 21. |
Two non-joining body fragments, a strengthened with plaster and painted. Start of handle at far left of fragment a. Good glaze, slightly brownish on b. P.H. a) 0.18, b) 0.112; max. dim. a) 0.223, b) 0.162 ... Ca. 470 B.C ... Munich 2343 by the Alkimachos Painter (ARV2 531, 27).
For an amphora with somewhat similar decoration, see the pair carried by Herakles on Berlin 4027 by the Pan Painter (ARV2 551, 5); the horizontal lines on the fishermen's baskets on Vienna 3727 also by the Pan Painter (ARV2 555, 88; Addenda 258) and the stripes on the baskets held by the man on the Pig Painter's namepiece, Cambridge 9.17 (ARV2 564, 27; Addenda 260).
Probably by a painter from the group of Earlier Mannerists. |
| Early Classical Painters of Large Pots; Earlier Mannerists. Beazley, Vases in America, p. 113. Addenda 260-261. ARV² 567-574. Beazley, Pan Painter, p. 2. Paralip. 390-391. Addenda 261-262. ARV² 556, 101 ... Agora 30 106 ... Beazley, Pan Painter, p. 2 ... Beazley, Pan Painter, p. 8 |
| Skyphoi; Attic Type. Well. Theseus Painter. ABV 520, 19. ABV 521. ABV 520, 25. New York, M.M.A. 41.162.29. ABV 507, 6. Athens, N.M. 595. ABL, p. 226, no. 8. Sappho Painter. Berlin, inv. no. 3232. Epidromos ... Agora 23 281 P 6177 P 13373 P 26648 P 9273 P 25982 P 2768 P 25913 E 15:6 U 19:2 M 17:4 G 6:3 ... 500 B.C ... Theseus Painter ... Sappho Painter ... Pan Painter |
| Potters; Painters; Groups and Classes. Early Red Figure Pot Painters. Early Red Figure Pot Painters; The Andokides Painter and The Earliest Red Figure. The Pioneer Group. The Pioneer Group; Euphronios; ... Agora 30 viii ... Early Red-Figure Cup Painters; The Coarser Wing; The Nikosthenes Painter; The Pithos Painter; The Heraion Painter and Others ... Late Archaic Pot Painters; The Nikoxenos Painter and The Eucharides Painter ... Early Classical Painters of Large Pots; The Pan Painter |
Wall fragment from just below start of rim. Max. dim. 0.172.
A, Dionysos on a griffin(?), with Eros, Pan, and a satyr to right. At the left stands Eros (head, shoulders, most of wings, right arm and hand) ... Ca. 350 B.C ... , with Eros, Pan, and a satyr to right. ... In the lower part of the fragment is Pan (wreathed head, shoulders, arms), to right, playing the aulos. ... The identification of the subject was made by Beazley on the analogy of better-preserved examples by the same painter.
The Filottrano Painter (ARV2 1453, 10). |
Shoulder fragment with part of ring at junction with neck. Max. dim. 0.095.
Woman (head with hair tied up with fillets) to left before a loutrophoros-hydria (mouth, start of vertical handle, top of neck) ... Ca. 450 B.C ... Hydria type: Houston 37.10 by the Pan Painter (ARV2 554, 79; Addenda 258); London, B.M. GR 1931.1--14.3 by the Washing Painter (ARV2 1127, 9); Eleusis 635 by the Painter of the Naples Hydriskai (ARV2 1266, 1); Athens, N.M. 12540, near the Eretria Painter (ARV2 1256, 11; Oakley and Sinos, Wedding . . . ... Near the Boreas Painter (ARV2 540, 6). |
| Kimon. Messene: herm at city gates. Kimonian herms. Metalwork, archaic Greek imitated in Roman times. Kleon, G. Quintus, marathonios, archon. Korai. Mikkiades. Miletos: archaistic dancers from theater ... Agora 11 183 ... Pan ... Pan Painter |
| Kallimachos relief, archaistic Pan and Nymphs, Stanze dei Filosofi. Sardis. Woman in archaistic dress. Conservatori. Siena, Chigi Collection. Rome, Conservatori, Ort. Mecen. 1, 19, 20, 24. Archaistic Athena ... Agora 11 192 ... Kallimachos relief, archaistic Pan and Nymphs, Stanze dei Filosofi ... Vase: pelike by Pan Painter, fisherman and herm ... Neck-amphora, manner of Niobid Painter |
| New York Kouros. Metropolitan Museum of Art, 32.11.1, Fletcher Fund, 1932. Dipylon Head. Athens, National Museum 3372. German Institute neg. N.M. 4594. Dipylon Hand. Athens, National Museum 3965. German ... Agora 11 xii P 14793 P 15850 ... Pelike by the Pan Painter. Paris, Louvre 10793 |
| Odeion. Parmenides. Parrhasios. Parsley. Parthenon. Odyssey. Patrokleides. Oedipus. Pausanias. Offices, public. Oikema (prison etc.). Peace. Oineus. Oinoe, battle-painting. Pegasos of Eleutherai. Olbiades ... Agora 3 255 ... Pamphilos, painter or poet ... Pan |
| Bearded god or hero, "Munich King". Paris, Louvre. Archaic engraved and painted grave stele. Tenea Kouros. Archaistic Athena, Minerva of Poitiers. Tyche, archaistic. Archaistic dancers from theater at ... Agora 11 191 ... Hydria by Kleophrades Painter, Iliupersis ... Pan herm in red marble ... Two early amphoras by Amasis Painter |
| D. Buitron-Oliver, Douris: A Master-Painter of Athenian Red Figure Vases [Kerameus 9], Mainz 1995. L. Burn, The Meidias Painter, Oxford 1987. D. Callipolitis-Feytmans, Les plats attiques à figures noires ... Agora 30 xiv ... Buitron-Oliver, Douris: A Master-Painter of Athenian Red Figure Vases [Kerameus 9], Mainz 1995 ... Burn, The Meidias Painter, Oxford 1987 ... Vollmann, Der Pan-Maler [Abhandlungen zur Kunst-, Musik und Literaturwissenschaft 52], Bonn 1968 |
| Bell-Kraters. Bell-Kraters; Type 1; Bell-Kraters with Lugs. Beazley, CB ii, p. 50. Hesperia Suppl. 010, pp. 8-9. Denoyelle, Chefs d'oeuvre-Louvre, pp. 114-115, cat. no. 52. Follman, Pan-Maler, pp. 50-51 ... Agora 30 31 ... Follman, Pan-Maler, pp. 50-51 ... Beazley, The Berlin Painter, Mainz 1974, p. 4 |
| The Athenian Agora; Volume 014; The Agora of Athens; The History; Index; General; Oropos. The Athenian Agora; Volume 014; The Agora of Athens; The History; Index; General; Peisistratos. The Athenian Agora; ... Agora 14 252 ... The Athenian Agora; Volume 014; The Agora of Athens; The History; Index; General; Pamphilos Painter ... The Athenian Agora; Volume 014; The Agora of Athens; The History; Index; General; Pan Painter |
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