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From a krater, brown (mostly flaked off) on buff.
ADDENDA 2018: Single sherd to a krater with no other preserved features.
The exterior decoration is panelled and features a side triglyph with vertical ... LH IIIC Early ... & Karageorghis, V., 1982, Mycenaean Pictorial Vase Painting, p. 219, fig. |
From a krater, middle orange on buff.
ADDENDA 2018: Single sherd to a krater with no other preserved features.
The exterior is decorated with fish motif, of which the tail half is preserved. The interior ... LH IIIC Early-Middle ... & Karageorghis, V., 1982, Mycenaean Pictorial Vase Painting, p. 219, fig. |
| Fragment of large vase with red bands and stork and part of legs of second bird.
ADDENDA 2018: Two non-joining sherds to a large krater. No features are preserved.
The exterior decoration consists of ... LH IIIC Early-Middle ... Karageorghis (1982), Mycenaean /vase /painting, p. 218, fig. 37j. |
Rim and side of skyphos. Traces of a handle. Red on buff.
ADDENDA Inventory on 29 November 2017:
4 body sherds (fragments b, c (mended from two pieces), d (mended from two pieces, and e). From Lot ... LH IIIC Middle ... & Karageorghis, V. (1982), Mycenaean Pictorial Vase Painting, p. 226, fig. |
From a closed vase.
Red- black on buff.
ADDENDA 2018: Single sherd to a closed shape with no preserved features.
The exterior decoration consists of a narrow and thick band running below the shoulder ... LH IIIC Middle ... & Karageorghis, V. (1982), Mycenaean Pictorial Vase painting, p. 218, fig. |
| Fragment preserving a little of a glazed back, right shoulder, upper arm and chest of a nude youth, facing. Well modelled.
Traces of white slip; traces of yellow over-painting beside arm. House C, cleaning ... 27 May 1954 ... Traces of white slip; traces of yellow over-painting beside arm. |
Head and one side of shoulder and neck remain.
The shoulder is pierced for an axle.
Clay covered with white paint; red over-painting for mane and harness.
Fine buff clay. Found in a Byzantine foundation; ... 30 March 1939 ... Clay covered with white paint; red over-painting for mane and harness.
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Wall fragment.
Upper part of a female figure, right, her hand raised to her breast. Her flesh is indicated in white, and she wears a white dress; details in yellow over-painting. Behind her, at left, ... 13 March 1931 ... Her flesh is indicated in white, and she wears a white dress; details in yellow over-painting. Behind her, at left, a bit of drapery, or a cushion (?)
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| Fragment of upper body and shoulder preserved. Portions of a palmette preserved on the shoulder. A maeander bounded by two narrow bands on body below shoulder. The top of a kythera pointed to the right ... 21 July 1981 ... Sloppy painting. |
| Fragment from wall near top; broad reserved band near upper edge of fragment inside. Parts of two figures, right. At the left, a hand carrying a thyrsos; then a woman in an embroidered dress, carrying ... April-May 1936 ... White with yellow over-painting for the woman's flesh; added white for the berries of the thyrsos(?). |
Wall fragment.
Bearded figure reclining on cushions, left; a cloak is thrown over his legs, and a part of the drapery of another reclining figure appears behind him at right.
Relief contour for chest ... 1931 ... "By a contemporary of the painting of London F4, the style something like him. |
Mended from two fragments. Feet, and most of right foreleg and left hindleg missing.
Tail down left leg. White color over an original painting of lustrous black on the left side only.
It 's from a group, ... 21 April 1932 ... White color over an original painting of lustrous black on the left side only.
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Single rim fragment.
Plain rim with scraped groove inside. Glazed band bounded by reserved band and groove below. Two motifs on glazed band: double cornucopia with top towards medallion of cup, its body ... 270-260 ... Shiny brown glaze; miltos added to reserved area after painting completed.
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| Part of a boy right; nude, but with cloak flung loosely down back and around neck. Outline of head coarsely incised, after the painting was finished. Wreath in added purple; brown dots on the cloak. A ... 1935 ... Outline of head coarsely incised, after the painting was finished. |
A maenad seated left looking back; she hold a thyrsus in her right hand. Beside her stands a large tympanum. Facing her, another figure leans on a staff (?).
The glaze has peeled badly. No relief contour ... White, with yellow over-painting, for the tympanum.
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| Single rim fragment from conical cup. Plain rim with scraped groove on inside. Glazed band above, with reserved band and groove below. On glazed band, a double cornucopia, its body originally white, with ... 1957 ... Miltos added to reserved area after painting completed.
Dikeras Group. |
Wall fragment.
Draped standing female figure, a maenad, left, holding a thrysos in her left hand. She wears a bordered chiton, and a double bracelet.
Relief contour along the lower line of the arm. Extremely ... 1931 ... "In the neighborhood of the painting of London E 4; early 4th c." |
| Two large fragments and three sherds from lip preserve about one-half of body. Profile complete except for tip. Completely restored in plaster. Body zones, from top: zigzag, dogtooth, maeander (key and ... 15 June 1967 ... Nice painting.
Hard, brittle pinkish-buff clay. |
| Fragment from wall of bell-krater, broken all around. Heads and parts of upper bodies of three harnessed prancing horses moving left past four columns. Trace of a figure at left edge of fragment. Coarse ... 13 June 1939 ... Coarse relief contour for the horses; the columns white, with yellow over-painting; yellow studs on the harness. |
Mended from several pieces and restored in plaster. Flaring mouth, plump body, flat bottom, high band handle, arched high above lip with upper surface concave. Mouth glazed both inside and outside. When ... 5 May 1953 ... When painting the part of the mouth below the handle, the nearest part of the inside of the handle was stained. |
Wall fragment.
Nude male figure seated right, his left hand on his knee, in his outstretched right a pyxis (?). To right, the top of a thyrsos, belonging to ring handled (?) Dionysos who reclines below ... 1931 ... White for pyxis with yellow over painting; white also for the berries of the thyrsos.
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| Intact except for one handle missing, and chips from rim. Fairly high angular profile; flat rim; rounded bottom. Irregular outlines; handsome. Rim, neck and handles glazed; on the shoulder, wave pattern, ... 9 May 1951 ... Careless painting.
Gray clay; brown-black glaze. |
Female head, right, her hair bound by an embroidered kerchief. She wears earrings and a necklace.
White for the flesh and the kerchief, with details in yellow over-painting. The hair sketched in brown ... 27 February 1931 ... White for the flesh and the kerchief, with details in yellow over-painting. The hair sketched in brown on reserved ground. |
| Complete but for mouth and foot; mended from several pieces. On shoulder: bars and rays. Body: running maeander right, between dilute glaze stripes. Nike flying right, holding a taenia in outstretched ... Ca. 470 B.C ... Hasty, careless painting; outlines of sakkos and ground line obliterated in places. |
Fragment from upper wall.
Female figure, facing, looking left; she wears a dress with embroidered yoke, earring, and broad headband. Remains of two other figures: a hand stretched out toward the woman ... 3 February 1931 ... Firm white for the woman's flesh, with yellow over-painting. Glaze fired dark red outside, lighter red inside.
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| Fragment from upper wall; narrow reserved band, below rim, at top.
A female figure, seated left, looking right, holds her cloak out behind her shoulders. From the left, two hands offer her a phiale, or ... 17 March 1931 ... White for the woman's flesh, and for her chiton, with diluted glaze over-painting for details; white (faded) for her hair-ornaments, and the objects on the tray.
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| Intact. Glaze on vertical and horizontal surface, flange carried over onto body. Three zones on shoulder; zigzag, dotted lozenges with dots in angles; dogtooth; then glaze to base. Single tie holes. Lid: ... 15 June 1967 ... Careless painting. |
| Four joining fragments preserve part of body of an oinochoe. At left, head and shoulders and part of drapery over legs of a figure right and the head of a panther he is riding. At right, Eros, left, with ... March 1939 ... His body white with yellow over-painting; the wings were painted in color, now vanished, on a reddish ground. |
Wall fragment from just below rim with start of handle at far right.
Reserved band on inside. Max. dim. 0.059.
Girl to left, hair flying, hands on hips, a ribbon in her hair (girl on seesaw[?]). White ... Second quarter of the 4th century B.C.? ... Beazley suggested the subject for 491 and in CB iii, pp. 48--49 gives a list of examples of a seesaw in Greek vase painting in which 491 is tentatively included. |
| Small fragment from shoulder. Upper border, encircled palmettes; below, head and wings of Nike, left, the wing tips encroaching on the border. Firm white with brown over-painting for the figure's face ... 1 October 1947 ... Firm white with brown over-painting for the figure's face and for a hand(?) |
| Two fragments, a large one preserving about a third of the circumference of the rim and one horizontal loop handle; and a small one, a bit only from the wall. None of the base remains. Profiled wall; plain ... 11 March 1935 ... After painting, the pot was set upside down and the paint ran toward the lip. |
| Fragments a) and c) preserve part of curved shoulder, suggesting a spherical body; fragment b) preserves part of narrow slightly concave neck.
Soft buff clay like that of the white ground lagynoi. Except ... 9-12 February 1937 ... Is it possible that "incised decoration" provides guide lines for painting, and is not meant to be seen?
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| Surface gone from lower left part of plaque.
A goddess with upraised hands standing between two snakes. The head in relief. In upper corners, holes for suspension.
Painting in deep red over white slip, ... 31 March 1932 ... In upper corners, holes for suspension.
Painting in deep red over white slip, with accessory yellow and blue. |
Handle Of Closed Vessel.
Broken at top and bottom; part of wall of vessel preserved at bottom.
Vertical handle, triangular in section, from vessel with sloping shoulder, perhaps a rather plump oinochoe ... 2nd century? ... Trace of painting in orange and white on vessel wall. |
| About half of length and wall to full height preserved on one side.
Rectangular sarcophagus with plain projecting base, straight side wall with small and large half round moldings (archaic) at the top, ... June 1946 ... No trace of painting preserved.
On bottom, 0.05m. in from each corner, a rectangular cutting to receive feet of sarcophagus. |
| Fragment from shoulder and wall of a closed pot. Parts of two figures preserved; at left, a woman right, playing the double flutes, her hands, the flutes, and a bit of the front of the head(?) preserved ... April-May 1936 ... White with yellow over-painting for the woman's hands and the youth's cloak. |
| The base, made separately, missing; the handle and much of the mouth broken away; also the tip of the dolphin's tail. The back plain, rounded, topped with an ordinary lekythos mouth and handle, these and ... 24 July 1947 ... Firm white slip, with over-painting in colors: blue on wings, red on the dolphin, yellow on the hair.
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| Fragment from a lekanis lid; black glazed beneath. Eros, right, kneeling on one knee, and holding a large alabastron in his outstretched right hand. In front of him on the ground, a box; facing him, over ... 10 March 1939 ... White for Eros's flesh, with yellow over-painting; his curly hair brown to black; brown details on his wings and on the bird; white for the small object. |
| Mended, one-third of rim missing.
Torus ring foot, concave lip, canted horseshoe handles. Reserved: underside of foot except for central dot and glazed circle, outside of foot, narrow band on lower body, ... 6 July 1995 ... Blobby painting with no incision, peeling black glaze.
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| Thirteen joining fragments preserve two-thirds of cup and most of one handle.
Torus ring foot, concave lip, canted handles. Reserved: underside except for central dot and circle, outside of foot and resting ... 6 July 1995 ... Poor silhouette painting, no incision.
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A woman left, in front of her a wool basket; behind, an uncertain object. Her right hand is raised toward her forehead; in her left she holds a string of beads. Her chiton has a white yoke and a white ... 3 January 1931
12 February 1931 ... White, with yellow over-painting, for wool-basket and ornaments.
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Foot missing.
Neck-pithos with deep ovoid body and heavy collar rim. Decoration of raised ridges: a pair at junction of neck and shoulder, and two pairs on wall. Black glaze, thin and uneven, outside ... Found used as a burial urn; burial of ca. 525-500 B.C ... Large collar-rimmed pithoi are best known from rep- resentations in vase-painting; see p. 193, note 1. |
| Thin fabric, with slight horizontal curvature. At the right the face and neck of a figure with long hair faces left. The left side of the fragment is covered by the rim of a large circular object (shield?) ... 22 March 1933 ... A long black line has been drawn across the face and onto the shield; perhaps the reason why the painting was never finished. |
| From a small choe:
a) Two joining fragments preserving part of upper wall and neck.
b) Wall fragment.
Preserved of the scene is the partly draped figure of a girl, seated right, driving by a dog in a ... 19 March 1938 ... Firm white, with yellow over-painting, for the girl's flesh and the tail; added clay for the fillets of both figures. |
From the wall of a large open vase. Outside, elaborate painted decoration: an ivy garland (white); hanging from it, two broad dark red streamers and a white leaf; over painting in thinned glaze on the ... 11 May 1938 ... Outside, elaborate painted decoration: an ivy garland (white); hanging from it, two broad dark red streamers and a white leaf; over painting in thinned glaze on the white; and in white on the red.
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| Mended from several pieces. Almost complete except for sections of rim and body. Torus ring foot, concave lip, canted handles. Reserved: underside with two concentric circles, outside of foot, resting ... 6 July 1995 ... Silhouette painting, no incision.
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| Mended from many pieces; about one-third of the rim, the upper part of the front, and smaller pieces from the walls missing and restored in plaster. Moulded ring foot; flaring lip with downturned edge ... 1 June 1932 ... Drawing and painting rude and sketchy. |
| About half the shoulder and neck preserved.
On the neck, three large dots of added clay, arranged in a triangle; no trace of wreath or other decoration. On the shoulder, parts of the heads of four figures; ... April-May 1936 ... On the shoulder, parts of the heads of four figures; from left to right: 1) Head of woman, right, preserved to below eye; her hair in a high knot, fillet of added clay with pink over. 2) Top part of head, left; fillet reserved; dot ornaments in added clay. 3) Head of woman right, her hair in a high knot; three dot ornaments of added clay; firm white for her flesh, with yellow over-painting. In front of her a large oval object, reserved (tympanum?). |
Two fragments from Trench A, joining another from Trench D.
Two wall fragments.
On a) Dionysos, seated left, looking right; he wears a fillet with dots above, and a bordered cloak thrown over his legs, ... 17 December 1930
12 February 1931 ... White for the hair ornaments, with pink over; white, with pink over, and yellow painting for details, for the woman's hand, white also, with dilute glaze overpainting for her drapery, and for the rectangular object. |
| Parts of the walls and rim preserved, making up to six fragments. Nothing remains of the base. Flaring lower wall, forming an angle with the slightly concave upper wall; projecting rim, its vertical outer ... 27 April 1940 ... White also for her underdress; yellow over-painting, earring, and necklace.
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About two-thirds of one disk preserved with a bit of connecting spool. Streaky glaze on underside of disk. Iron stain at top. Diam. 0.113. ILN, Oct. 19, 1935, p. 648, fig. 4; L. Talcott, Hesperia 5, 1936, ... Ca. 480 B.C ... Robertson, Greek Painting, Geneva 1959, p. 110; L. |
Mended with missing pieces restored in plaster and painted, notably all of the mouth, neck and handle, much of lower body, nearly all of ring base. Thin glaze on inside. Glaze pitted and flaked in many ... Ca. 450-440 B.C ... Bazant, "The Sacrificial Basket in Vase Painting and Possible Persistence of Several Elements of Minoan-Mycenaean Religion in Classical Greece," Acta Universitatis Carolinae Philologia 1, 1974, pp. 61--86.
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| Fragment from upper wall of bell krater; bit of reserved band below rim preserved. Parts of two figures remain, a youth, left, holding a large club and a woman facing him. He wears a white fillet and white ... 10 March 1939 ... White for her flesh, with yellow over-painting; no relief contour.
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Four non-joining fragments of neck and shoulder. P.H. a) 0.125; max. dim. b) 0.16, c) 0.11, d) 0.99. E. Laufer, Kaineus: Studien zur Ikonographie [Rivista di archeologia Suppl. 1], Rome 1985, pl. 12:35 ... Ca. 470-460 B.C ... Cohen, "Paragone: Sculpture versus Painting, Kaineus and the Kleophrades Painter," Ancient Greek Art and Iconography, Warren Moon, ed., Madison, Wisc., 1983, pp. 171--192; E. |
| Parts of rim and nearly a quarter of wall missing; restored in plaster.
A cylindrical drum, tapering around top. Heavy rim, flat on top and sharply profiled; lower wall thickened to form heavy collar ... 28 May-16 June 1938 ... It has not I think been previously noted that in the vase-painting the presence of these holes seems to distinguish a well from a pithos.
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| The foot broken away, the lip chipped and a few fragments missing from lower wall on reverse. Full deep body, the point of greatest diameter about half-way between handle and base; torus lip, set off from ... 5 May 1938 ... White for large fruits on the tree, for details on the quiver, for the axe handle, for dot-rosettes on both garments, and white glaze over-painting for the rock. |
| Mended; almost complete, except for parts of rim and body. Attic type skyphos. Strong torus foot, deep body, slightly out-turned concave lip, canted horseshoe handles.
Reserved: underside with two glazed ... 6 July 1995 ... Poor painting and incision.
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Three non-joining fragments, a + b + e and c with rim and wall as well as start of handle, d of wall. Reserved line at top of rim. Some of the drawing abraded. P.H. a/b/e) 0.118; est. diam. at rim 0.17; ... Ca. 430 B.C ... Clairmont ("Studies in Greek Mythology and Vase Painting," Yale Classical Studies 15, 1957 [ pp. 161--178], p. 165, note 6) thinks that 1327 represents the contest between Apollo and Marsyas, for he did not accept Beazley's suggestion, made in the summer of 1953, that 1337, which shows a satyr, does not belong to 1327.
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Mended from many fragments, with missing pieces restored in plaster and painted, notable among them the left horizontal handle and part of the wall below it. Glaze fired greenish around left handle; abraded ... Ca. 430 B.C ... XXV, p. 84, cat. no. 80, pl. 30); and the figure of Leto in the Naples painting on marble of knucklebone players (H. |
Six non-joining fragments, a of rim, neck, shoulder, and start of one handle column, b + d of shoulder with swelling for handle root and part of wall, c, f, and g of wall. Glaze dull in places on outside; ... Ca. 480 B.C ... Hedreen, Silens in Attic Black-Figure Vase-Painting: Myth and Performance, Ann Arbor 1992, pp. 85--88: here the focus is on vintage scenes as they relate to Dionysos and Naxian wine. |
Mended with small missing pieces restored in plaster and painted. Lip offset on inside; foot offset on underside. Glaze slightly abraded on handles. H. 0.074; diam. of rim 0.18; W. with handles 0.238; ... Ca. 510-500 B.C ... For the most part, Athenian painters of the Middle and Late Archaic period specialize in painting either cups or pots. |
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