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| Fragment from medallion. Preserved are: part of maeander border, left, and part of left foot and drapery of a standing female figure wearing chiton and himation.
Pinkish-buff clay. Excellent black glaze ... 13 June 1938 ... ARV2, p. 328, no. 117, Onesimos Painter. |
Bowl fragment. Max. dim. 0.059; est. outer diam. of tondo 0.126.
I, woman (lower part of chiton with himation, foot) standing on tiptoe to left. Around tondo, stopped-maeander pattern. Relief contour ... Ca. 500-490 B.C ... The Panaitios Painter (ARV2 one 215, 21); Onesimos (ARV2 328, 117). |
Floor fragment. Glaze pitted on outside. Max. dim. 0.039; est. diam. of tondo 0.10.
I, jumper(?). The fragment preserves the slightly raised head, a little of the back, and the start of both outstretched ... Ca. 510 B.C ... The jumper of 1604 may have looked like the one on the slightly later cup (only reversed) by Onesimos, Boston, M.F.A. 01.8020 (ARV2 321, 22; Paralip. 359, 22; Addenda 215). |
Floor fragment. Max. dim. 0.043; est. diam. of tondo 0.08.
I, youth (head, start of shoulder) bending over to right. Before him are an aryballos and sponge (part of each). Reserved line for tondo border, ... Ca. 510 B.C ... For the aryballos and sponge, see once Lucerne Market by the Epidromos Painter (ARV2 118, 14); Rome, Museo Artistico Industriale by Onesimos (ARV2 329, 129; Addenda 217); Oxford 1911.621 by Apollodoros (Paralip. 333, 9 ter).
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| Late Archaic Cup Painters. Late Archaic Cup Painters; Onesimos; The Antiphon Painter and the Colmar Painter. ARV² 286, 16. Addenda 209. ARV² 285-287. Paralip. 355. D. Williams, Euphronios: Vom Maler zum ... Agora 30 97 ... Late Archaic Cup Painters; Onesimos; The Antiphon Painter and the Colmar Painter ... Williams, Onesimos and the Getty Iliupersis, Greek Vases in J. |
Wall fragment. Max. dim. 0.097.
Nude woman (head, lower legs missing) moving to left, carrying an amphora with a bail handle (a little remains at each side) from which water pours into a laver (part of ... Late 6th or early 5th century B.C ... Paul Getty Museum 86.AE.284, a fragmentary cup by Onesimos (CVA, the J. |
Floor fragment with stem and start of foot. Two incised lines on stem. P.H. 0.035; max. dim. 0.097; est. diam. of tondo 0.10. E. Vanderpool, Hesperia 15, 1946, p. 281, cat. no. 38, pl. 29.
I, youth (most ... Ca. 510 B.C ... The figure on 1577 may have looked something like these: the one by Oltos, only reversed, on Vatican, Astarita 46 (ARV2 55, 19; Addenda 163); the one in the tondo of Boston, M.F.A. 01.8020 by Onesimos (ARV2 321, 22; Paralip. 359, 22; Addenda 215). |
Wall fragment. Glaze fired greenish in places. Max. dim. 0.106. H. A. Thompson, Hesperia 18, 1949, pl. 45:5; P. E. Corbett, JHS 85, 1965, pl. 1; Langridge, "Eucharides Painter," p. 345, cat. no. E 6.
... Ca. 500-490 B.C ... For a boy, not a youth or a man, leading a horse, see Vienna, Univ. 501 by Onesimos (ARV2 324, 64; Addenda 215) and side B of Florence PD 56 by the Dokimasia Painter (ARV2 412, 6; CVA, Firenze 4 [Italia 38], pl. 126 [1698]:1).
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Floor fragment with stem and start of foot. Small area of greenish glaze on outside that may come from stacking in the kiln. P.H. 0.04; max. dim. 0.075; est. diam. of tondo 0.10.
I, archer (arms, body, ... Ca. 510-500 B.C ... What remains of the archer's arms on 1517 suggests that they were positioned somewhat like those of the standing archer in the tondo of Boston, M.F.A. 10.207 by Onesimos (ARV2 321, 21; Addenda 215). |
| Howland Type 53. Cistern. Lamps stands. Well. Pit. Laureion mines. Howland Type 54. Lead token. Leaf Shop. Howland Type 55. Howland Type 56. Lenaios. Howland Type 57. Leo-. Leonteus. Howland Type 58. Loeschcke ... Agora 7 232 D 4:1 D 11:1 E 14:7 Q 13:1 S 21:3 A 18:1 M 17:1 N 19:1 R 10:1 R 13:1 R 13:2 D 12:1 N 20:5 B 14:3 B 21:1 C 14:4 ... Onesimos |
| Imported Lamps; Corinthian Lamps of the Late 1st to Late 5th Century; Lamps of the Latest 1st Century through the 3rd Century; Bases; Epitynchanos. Imported Lamps; Corinthian Lamps of the Late 1st to Late ... Agora 7 97 ... 2nd half of 2nd A.D ... Imported Lamps; Corinthian Lamps of the Late 1st to Late 5th Century; Lamps of the Latest 1st Century through the 3rd Century; Bases; Onesimos |
Five non-joining wall fragments, a with start of keel. Glaze much pitted on underside of bowl. P.H. a) 0.18; max. dim. a) 0.25, b) 0.174, c) 0.087, d) 0.107, f) 0.062; est. circumference at ground line ... Ca. 500 B.C ... The slanting position of the left calf and foot on fragment c indicates an athlete in a fairly active pose (cf. the javelin thrower in the tondo of Munich 2637 by Onesimos [ ARV2 322, 28; Paralip. 359, 28; Mind and Body, cat. no. 46; Addenda 215]). The hand lightly touching ground seems to belong to the left athlete on fragment d, who sits on the ground, and the athlete in front of him is very likely a jumper, who may have looked something like the one on the outside of Florence PD 265 by Onesimos (ARV2 322, 29; Addenda 215). |
| Potters; Painters; Groups and Classes. Early Red Figure Pot Painters. Early Red Figure Pot Painters; The Andokides Painter and The Earliest Red Figure. The Pioneer Group. The Pioneer Group; Euphronios; ... Agora 30 viii ... Late Archaic Cup Painters; Onesimos; The Antiphon Painter and the Colmar Painter |
Eight non-joining wall fragments, a and b with rim and strengthened with plaster. Band on inside at rim, a narrower one 0.068 below rim. Glaze fired red on inside, slightly misfired below figures on outside ... Ca. 460-450 B.C ... Since the examples are not very numer-ous, it is worthwhile to list them, because the composition of 303 stands somewhat apart with regard to the position of Eros. Onesimos: Malibu, the J. |
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