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Two wall fragments from an open bowl with sharply curving side, glazed inside. Rim broken off.
a) The hindquarters of a panther, right, and the foreleg of another creature behind him.
b) At left, part ... 18 May 1939 ... Agora:Object:CVA Munich 3, pl. 139: 1-2. |
| Fragment from the floor preserving part of a groove and tiny part of the foot.
Around tondo, tongue pattern alternately red and black. Lower part of a draped figure right. Leg of someone lunging(?) to ... July 1947 ... The picture might be Herakles and Nessos; cf. CVA Munich, pl. 18, 2 and 20, 1.
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| Three non-joining fragments.
a) Mended from three fragments, preserves part of upper body and projecting rim. On upper body, rectangular panels alternately reserved with slanting lines in dilute glaze ... 17-24 May 1940 ... AJA 58 (1954), pp. 194-195 and CVA Munich pl. 94, 6. |
Fragment broken all around. Guilloche. At bottom, clay to right; strands of a mane.
Glaze brown to black.
Cf. Munich 6077; London 1865.7-20.1(A 471). Pit. Leica, 81-534, 81-571 ... (September 1958) ... Glaze brown to black.
Cf. Munich 6077; London 1865.7-20.1(A 471). |
Wall fragment from near start of rim. Reserved band on inside. Max. dim. 0.045.
B, youth (most of head, start of shoulder) to left, wearing a himation.
The Painter of Munich 2335 (ARV2 1165, 70) ... Ca. 420 B.C ... The Painter of Munich 2335 (ARV2 1165, 70). |
Wall fragment from near rim. Reserved band on inside near top. Glaze fired brownish on outside. Max. dim. 0.059.
B, youth (head, part of right arm) to right.
The Painter of Munich 2335 (ARV2 1165, 69) ... Ca. 420 B.C ... The Painter of Munich 2335 (ARV2 1165, 69). |
NM 16059
Flat bottom; continuous profile.
Black to brown glaze.
Others include Kerameikos V, 1, pl 139, inv. no. 356; C.V.A., Munich 3[9], 117[399], 7-8; C.V.A., Copenhagen 2[2], 70[71], 6; Thorikos ... LG IIB ... Others include Kerameikos V, 1, pl 139, inv. no. 356; C.V.A., Munich 3[9], 117[399], 7-8; C.V.A., Copenhagen 2[2], 70[71], 6; Thorikos IV, p. 88, fig. 69 |
Apparently complete.
Some kind of symbol or perhaps a ligature involving the letters alpha and delta: cf. two 6th c. B.C. ligatures of these letters from the precinct of Aphaia on Aigina, A. Furtwangler, ... Furtwangler, Aegina, Das Heilihtum der Aphaia, Munich, 1906, p. 466, nos. 367, 368. |
Wall fragment, unglazed inside.
Chin, neck and a little of shoulder of Athena to left; the edge of the neck-piece of her helmet appears just below the break. White for flesh.
Charikleides group (363/2): ... Schmidt, Archaistiche Kurst, Munich, 1932, pl. 7,2) |
Part of lid with incurving rim. On underside, two concentric circles with a band between. Glaze fired greenish in places. H. 0.01; est. diam. 0.12.
On top side, from knob out: dots; egg pattern with dots; ... Ca. 430-420 B.C ... For the patterns, see the lid of Munich 2720 by the Drouot Painter (ARV2 1223, ---, 4; Addenda 349). |
Wall fragment from just below rim with start of handle at far left. Narrow reserved band on inside near top. Max. dim. 0.09.
B, youth (head and shoulders) to right, wearing a himation.
During his visit ... Probably late 5th century B.C ... During his visit to the Agora in the summer of 1953, Beazley noted on the record card: "doubtful but possibly by the Painter of Munich 2335"; not in ARV2. |
Lid and pyxis intact except for a few chips. H. with lid 0.042; without lid 0.038; diam. of pyxis at bottom 0.067.
On top side of lid: chest with lid partly open.
Inscribed on underside of lid and glazed ... Late 5th century B.C ... Inscribed on underside of lid and glazed over:
on underside of pyxis:
For a similar chest, but with the lid shut, see Munich 2726 A (CVA, München 2 [Deutschland 6], pl. 99 [295]:2). |
From the top of the wall of a bell krater. Inside, a narrow reserved band; outside, reserved band below start of rim. Head and shoulders of a youth, right; traces of another figure at the extreme left ... 29 March 1934 ... ADDENDA Doubtful, but possible by the P. of Munich 2335, (JDB summer 1953). |
Shoulder and neck fragment. Max. dim. 0.08. Choes and Anthesteria, p. 91, cat. no. 233.
Frieze of upright encircled palmettes and lotuses. Below:
Below, at right break, part of a thick fillet tied around ... Second quarter of the 5th century B.C ... The pattern has a parallel on Munich 2493, a middle work by the Berlin Painter (ARV2 210, 187). |
| Circumscribed black figure palmettes on rim zone.
Inscribed: on wall just below rim, in white paint, the inscription broken at both sides.
Cf. The ornament used by Euthymides on the Munich amphora, Pfuhl ... June 1952 ... The ornament used by Euthymides on the Munich amphora, Pfuhl (1923), fig. 369.
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Two non-joining fragments of neck and wall, a with start of handle. Dull black glaze, misfired red in places. Max. dim. a) 0.135, b) 0.102.
Fragment a shows the top of a head to left; fragment b (detail ... Ca. 420 B.C ... The Painter of Munich 2335 (ARV2 1162, 23). |
| The fragment first found comes from the middle of the back of the figure. The hair, worn in a heavy mass, square at the bottom, falls nearly to the small of the back. The folds of the garment, drawn tight, ... Early Roman Period (?) ... From replica of Munich Tyche.
White marble. |
Part of domed lid and brim with start of knob or ridge around knob. Concentric bands on underside. Est. diam. 0.13; max. dim. 0.114.
Head of woman (Aphrodite[?]) to right with sakkos, facing a palmette ... Late 5th or early 4th century B.C ... Perhaps similar to Munich 2725 from the Chalki Group (ARV2 1503, 3; Addenda 383). |
Floor fragment with start of stem. Incised line on stem. Max. dim. 0.057.
I, nude male (part of left side of torso, legs except for calves and feet) bending forward about to lift a pointed amphora (lower ... Ca. 520-510 B.C ... For a similar composition, only with a satyr, see Munich 2613 by the Poseidon Painter (ARV2 136, 3; Paralip. 334, 3; Addenda 178); also one of the komasts on Brussels A 3047 by the Epeleios Painter (ARV2 146, 7). |
Wall fragment from just below rim. Reserved band on inside near top. Glaze fired red on inside. Max. dim. 0.099. R. S. Young, Hesperia 20, 1951, pl. 79:4.
Maenad (head, left shoulder, and left arm) probably ... Ca. 420 B.C ... The Painter of Munich 2335 (ARV2 1163, 36). |
Preserved except for handle. Glaze abraded in places, somewhat thin here and there. H. 0.03; diam. 0.091. Hoffmann, Sexual and Asexual Pursuit, p. 11, cat. no. Aa 1, pl. 1:3.
Hound pursuing a hare. Reserved ... Ca. 430 B.C ... Perhaps by the same hand as the unattributed askos Munich 2541 (CVA, München 2 [Deutschland 6], pl. 102 [298]:1, there the hound pursues a fox). |
| Most of body and foot missing, handle and neck practically complete. Partly restored in plaster. Round-bodied oinochoe; band handle; brown wash inside. At top of handle, a palmette between two half-palmettes; ... 2-19 May 1939 ... P 15010 and Munich 2450, CVA München, pl. 89, no. 2. |
Floor fragment with stem and start of fillet. Incision at edge of fillet. Max. dim. 0.069.
I, runner (head, upper part of right arm, right leg from the knee down and left foot missing) to right. In his ... Ca. 520 B.C ... Incision for anatomy occurs, for example, on the red-figured side of the bilingual amphora Type A in Munich, 2302 (ARV2 6, 1; Addenda 150; Lullies in CVA, München 4 [Deutschland 12], p. 8); another is the red-figured amphora Type A in Philadelphia 5399 (ARV2 7, 3); for the incision, see W. ... Beazley (Vases in America, p. 6) adds two others: Munich 2590 by Phintias (ARV2 24, 12; Paralip. 323, 12; Addenda 155) and an unattributed cup contemporary with Psiax, Compiègne 1106 (CVA, Compiègne 1 [France 3], pl. 13 [111]:10). The proportions of the runner on 1575 agree reasonably well with those of the warriors on three cups: Cleveland 76.89 (ARV2 7, 7; Paralip. 321, 7; Addenda 151); Munich 2587 (ARV2 7, 8; Addenda 151) and New York, M.M.A. 14.146.1 (ARV2 8, 9; Addenda 151). |
Shoulder fragment with start of neck. Max. dim. 0.05. Choes and Anthesteria, p. 89, cat. no. 222, fig. 368; Burn, Meidias Painter, p. 98, cat. no. M 14, pl. 14:b.
Eros (wreathed head, shoulders, wings, ... Ca. 410-400 B.C ... Burn (Meidias Painter, p. 26, note 2) suggests that this might be a scene of Eros wrestling and cites as a parallel Munich inv. 8926 by the Washing Painter (ARV2 1127, 6 bis; Addenda 332; Schefold, Göttersage, p. 198, fig. 269). ... If this were the subject of 710, as on the Munich lebes, there should be a hand on the shoulder of Eros and no ball or stone in his hand.
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Wall fragment. Narrow reserved band on inside near top. Max. dim. 0.08.
Poseidon (most of head, torso, left arm and thigh) leaning forward a bit, probably seated or standing with his left leg bent, the ... Ca. 430-420 B.C ... The Painter of Munich 2335 (ARV2 1163, 44). |
Wall fragment with return. Thin glaze on inside. Max. dim. 0.055.
Youth (head) to left, with head thrown back. Relief contour: chin.
Dilute glaze: muscles.
The position of the youth's head and his open ... Ca. 480-470 B.C ... Cf. the youth on side B of Munich 2346 by the Pig Painter (ARV2 565, 32 bis). |
Two non-joining shoulder and neck fragments. Max. dim. a) 0.037, b) 0.044. Choes and Anthesteria, p. 86, cat. no. 204, fig. 122.
Torch race. Fragment a preserves the head, chest, start of arms of one ... Ca. 400 B.C ... The scene on 730 probably looked like that on one in the Villa Giulia by the Painter of Munich 2335 (ARV2 1166, 105). |
| The whole lower part, and one-third of the upper part including one handle missing. Satyr running to right, holding thyrsos in the left hand. Partial relief contour.
Good glaze inside; outside, dull ... 1 June 1951 ... The Type B shape similar to that of the Anymone painter's kantharos in CVA Munich, pl. 93, 1-2 (ARV, p. 550, no. 3), but ours more likely stemless; note straighter wall of bowl; also difference in handles: ours not rising at all above the rim and the lower attachment is set at the bottom of the rim, not on the body wall. |
Lid, preserved except for knob and large chip in brim. Unglazed on underside, except for two concentric circles with central dot. P.H. 0.023; diam. 0.112.
From knob out: egg pattern with dots and double ... Ca. 420 B.C ... The system of decoration on 1015 bears some similarity to that on Munich 2722 by the Montlaurès Painter (ARV2 1296, 26; Addenda 359). |
Wall fragment. Glaze streaky reddish brown and dull black on inside. Max. dim. 0.062. A. Ashmead, Hesperia 35, 1966, pl. 8:6.
Man or youth (lower legs, right foot frontal, left in profile). Preliminary ... Ca. 480 B.C ... E 441, Theseus on side A (ARV2 187, 57; Addenda 188); Villa Giulia 26040, the figure of Patroklos (ARV2 188, 63; Paralip. 341, 63); Munich inv. 8770, Odysseus (Paralip. 341, 73 bis); and Malibu, the J. |
Bowl fragment. Traces of burning at left (surface is gray). Max. dim. 0.04. H. A. Thompson, Hesperia 6, 1937, p. 13, fig. 6:a.
A, two women (bottom of chiton, left foot of one; right foot, a little of ... Ca. 510-500 B.C ... The drawing of the drapery folds and the horizontal line across one of them are closest to these two by the Hermaios Painter: the maenad in the tondo of Boston, M.F.A. 95.33 (ARV2 110, 3; Addenda 173) and the warrior or Amazon in that of Bochum S 489 (Paralip. 332, 8 ter; Addenda 173); the maenads on Munich 2589 by the Chelis Painter (ARV2 112, 1; Addenda 173). 1404 may be by either painter. |
Wall fragment. Glaze cracked near top. Max. dim. 0.083.
Nike (middle of body dressed in a peplos, arms) flying to left, holding something (shaft), probably a torch, in her right hand. At the left, lower ... Ca. 440-430 B.C ... For the drapery, compare that of the woman holding the hydria on her head on Munich 2360 (ARV2 1186, 30; Addenda 341; LIMC V, 1990, p. 128, no. 2916, pl. 120, s.v. |
Wall fragment. Max. dim. 0.097.
Nude woman (head, lower legs missing) moving to left, carrying an amphora with a bail handle (a little remains at each side) from which water pours into a laver (part of ... Late 6th or early 5th century B.C ... For the shape of the amphora and its handle, see Munich, inv. 8762 by Myson (ARV2 1638, 2 bis; Addenda 201; JdI 102, 1987, p. 62, fig. 1); Berkeley 8.3225 by the Boot Painter (ARV2 822, 24; Addenda 294). |
| Four horses with driver figurine.
Forelegs missing; mended from many fragments.
The driver leans against the long hind legs of the central horses and rests his hands on their backs. The driver stands on ... 31 March 1932 ... Another piece in the Munich Pinakothek (no. 5602). |
Wall fragment. Glaze slightly pitted and abraded. Max. dim. 0.068.
Woman (lower part of head to left, shoulders, upper part of torso), to right, dancing(?). She wears a brassiere (ταινι'α or ἀπο'δεσμος) ... Probably early 4th century B.C ... PE 12, pl. 93); Havana, once Lagunillas by the Painter of Munich 2335 (Olmos, Vasos griegos . . . |
Two non-joining wall fragments. Max. dim. a) 0.055, b) 0.077. A. Ashmead, Hesperia 35, 1966, pl. 8.
Fragment a preserves most of the filleted head of an old man (Phoinix) to left, holding a spear or staff ... Ca. 490 B.C ... Döhle (Klio 49, 1967 [ pp. 63--143], p. 105) thinks that 254 may come from a representation of the Mission to Achilleus, based in part by the presence of Phoinix in the same scene by the Kleophrades Painter on his hydria in Munich, inv. 8770 (Paralip. 341, 73 bis; Addenda 189). In the Munich scene, however, he stands while Hermes and Achilleus sit, facing one another. |
Thirteen non-joining wall fragments with thin reddish wash on inside. Mended in antiquity (part of lead repair in b; hole in d). Glaze pitted and abraded here and there. P.H. a) 0.14; max. dim. a) 0.281, ... Ca. 440 B.C ... KL 1, pl. 125), Munich 2415, the middle youth on side B (ARV2 1143, 2; Paralip. 455, 2; Addenda 334; Matheson, p. 406, cat. no. ... KL 39); for the outer contour of the himation on fragment c, cf. Munich 2414, the aulos-player (ARV2 1143, 6; Paralip. 455, 6; Addenda 334; Matheson, p. 407, cat. no. ... Ferrara 44894 = T.57 C VP, Munich 2415, or Munich 2361 (ARV2 1145, 36; Paralip. 456, 36; Addenda 335; Matheson, p. 414, cat. no. |
Three non-joining wall fragments, a with wall and cul, b with rim and part of one handle, c with a bit of the cul. Max. dim. a) 0.095, b) 0.09, c) 0.05.
On rim, tongue pattern above a row of dots. On ... Probably late 5th century B.C ... For complete examples, see Vienna 1124 (CVA, Vienna 1 [Österreich 1], pl. 46 [46]:4) and Munich 2571 (CVA, München 2 [Deutschland 6], pl. 94 [290]:6). 1235 is not from the same kantharos as 1236: the color of the glaze is different. |
Floor fragment with start of stem. Part of surface pitted. Max. dim. 0.082. H. A. Thompson, Hesperia 23, 1954, pl. 15:d.
I, symposiast (head, shoulders, upper part of left arm, both legs from the knee ... Ca. 500 B.C ... For a symposiast with a stick, but not holding it, see Göttingen, no no. by the Antiphon Painter (Paralip. 362, 9 ter; Addenda 218); Berlin 2286 by the Triptolemos Painter (ARV2 365, 59; Addenda 223); two by the Foundry Painter: Kassel T 664 (ARV2 401, 10 bis; Paralip. 370, 10 bis) and Christchurch, N.Z., Univ. of Canterbury 17 (ARV2 403, 34; Paralip. 370, 34); two by the Painter of the Paris Gigantomachy: Toronto 357 (ARV2 419, 34) and Seattle 20.35 (ARV2 420, 62); Munich 2646 by Douris (ARV2 437, 128; Paralip. 375, 128; Addenda 239; Buitron-Oliver, Douris, p. 83, cat. no. 173, pl. 96). |
Wall fragment from turn of shoulder. Glaze thin and dull on inside. Max. dim. 0.055.
Satyr (part of face, beard, ear, and hair) to right, wearing a spotted feline skin. Overlapping the locks of hair at ... Ca. 490 B.C ... Cf., e.g., the maenad with the fawn skin over her chiton who holds both a thyrsos and a snake on Munich 8732 = 2344 by the Kleophrades Painter (ARV2 182, 6; Paralip. 340, 6; Addenda 186); also the huge serpent held by Dionysos on Louvre Cp 10748, where the god attacks a falling giant (ARV2 187, 55; Addenda 188).
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Mended from several fragments, with the missing pieces restored in plaster and painted. Mouth completely restored. H. to top of handle 0.135; rest. diam. of body 0.118. R. S. Young, Hesperia 20, 1951, ... Ca. 430 B.C ... Perhaps by the Painter of Munich 2335 (Addenda and Corrigenda, p. 1685 to ARV1 779--783; not in ARV2). |
Floor fragment with start of stem on underside. Glaze misfired grayish on inside, especially contour line. Max. dim. 0.078; est. diam. of tondo 0.101.
Archer (legs, right bent sharply back), moving to ... Ca. 510-500 B.C ... Cf., e.g., Munich 2308 by Euthymides (ARV2 26, 2; Addenda 156); Louvre G 35 by the Hermaios Painter (ARV2 111, 13; Addenda 173); and London, B.M. |
Four non-joining fragments, a and b of body and neck, c and d of body. Thin, streaky reddish brown glaze on inside. Dent in b on left at level of wreath. Max. dim. a) 0.097, b) 0.11, c) 0.118, d) 0.029 ... Late 5th century B.C ... For a similar wreath, see the oinochoe, once Munich, Preyss (Choes and Anthesteria, p. 154, cat. no. 719, fig. 119). |
Floor fragment. Max. dim. 0.045; est. diam of tondo 0.11. H. A. Thompson, Hesperia 17, 1948, pl. 68:1.
I, satyr (most of wreathed head with wrinkled brow) to right. Above:
Behind him, part of the reserved ... Ca. 510-500 B.C ... Satyr moving to right, holding a wineskin and a drinking horn: Munich 2589 by the Chelis Painter (ARV2 112, 1; Addenda 173). |
Wall fragment from rather low on the vase. Max. dim. 0.093.
Triptolemos (segment of wheel and wing of throne) to right. Relief contour. Rim of wheel incised (compass-drawn). Dilute glaze: decoration at ... Second quarter of the 5th century B.C ... Cf. these contemporary examples: Munich 2383 by the Altamura Painter (ARV2 591, 23; Prange, Niobidenmaler, p. 163, cat. no. |
Fragment of cul and body. Max. dim. 0.09.
On cul, chain of double lotuses and encircled palmettes.
The only painter to favor the chain of double lotuses and palmettes on the culs of his calyx-kraters ... Ca. 450 B.C ... Louvre, pp. 104--105, cat. no. 47); Louvre G 110 (ARV2 14, 3; Paralip. 322, 3; Addenda 152; Euphronios, cat. no. 2); Louvre G 33 (ARV2 14, 4; Euphronios, cat. no. 11); Munich inv. 8935 (ARV2 1619, 3 bis; Paralip. 322, 3 bis; Addenda 152; Euphronios, cat. no. 5); New York, M.M.A. 1972.11.10 (Euphronios, cat. no. 4); and New York, Levy and White (Euphronios, cat. no. 6). |
Mended with small missing pieces restored in plaster and painted. Lower part of body, all of foot missing. Thin glaze, reddish in places, abraded in others. P.H. 0.23; max. diam. 0.235; diam. of mouth ... Ca. 480-470 B.C ... Méd. 391, the skirt of Dionysos' chiton (ARV2 286, 15; Addenda 209); New York, M.M.A. 01.8.8, Dionysos' chiton (ARV2 286, 19); Munich 2382, Herakles' chiton (ARV2 287, 27; Addenda 209). |
Wall fragment. Glaze thin in places on outside. Max. dim. 0.113.
A, male pursuing a woman. Parts of three figures remain: at the left, a bit of the himation and chiton, and left foot of a woman running ... Ca. 460 B.C ... The border of esses for the bottom of the woman's chiton is a distinctive pattern that appears in the work of both painters: the Boreas Painter: New York, M.M.A. 96.19.1 (ARV2 536, 5; Addenda 255) and Munich 2375 (ARV2 537, 9; Addenda 255); the Florence Painter: Syracuse 21189 (ARV2 541, 4) and Louvre G 360 (ARV2 541, 8). |
Wall fragment. Glaze dull and misfired reddish here and there on inside and outside; slightly abraded. Max. dim. 0.107. H. A. Thompson, Hesperia 17, 1948, pl. 67:4; Matheson, Polygnotos, p. 354, cat. no ... Ca. 440 B.C ... Cristofani, Materiali per servire alla storia del vaso François [Bollettino d'Arte, Serie Speciale 1], Rome, 1980, fig. 65: the figure of Theseus) and in the slaying of the Minotaur on the cup in Munich by Archikles and Glaukytes, 2243 (ABV 163, 2; Paralip. 68, 2; Addenda 47), also on a late-6th-century cup in Taranto by the Edinburgh Painter (ABV 476, 3): there the lyre is hanging up. |
P 134 andThree non-joining wall fragments, P 5110 a with roots of one handle. Glaze flaked in many places; fired brown on much of inside. P.H. of P 5110 a) 0.185; P.W. 0.29; max. dim. P 134: 0.184, P 5110 ... Third quarter of the 5th century B.C ... For a good parallel, see Munich inv. 8738 by the Berlin Painter (ARV2 209, 161; Paralip. 343, 161; Addenda 195). |
Mended from many fragments, with missing pieces restored in plaster and painted, notable among them the left horizontal handle and part of the wall below it. Glaze fired greenish around left handle; abraded ... Ca. 430 B.C ... For the motive of the woman holding the kolpos of her chiton between her teeth, Buschor seems to have been the first to collect examples when he published the white-ground lekythos in Munich by the Klügmann Painter (JOAI 39, 1952, pp. 12--17, esp. pp. 12--13 and note 1). ... KL 67); Munich inv. 7663 by the Klügmann Painter (ARV2 1200, 40); New York, M.M.A. 06.1021.130 by the Quadrate Painter (ARV2 1239, 44); Athens, N.M. 1205, near the Eretria Painter (ARV2 1256, 9; Lezzi-Hafter, Eretria-Maler, p. 343, cat. no. 235); two by the Calliope Painter: Louvre Cp 11932 and Cp 11933, now joined (ARV2 1260, 13--14; Lezzi-Hafter, Eretria-Maler, p. 322 cat. no. 88, pl. 67:a) and Marzabotto T 2,6587 attributed by Lezzi-Hafter (p. 323, cat. no. 94, pl. 73:d); an unattributed pyxis, New York, M.M.A. 1972.118.148 (see above); a Kerch-style oinochoe, New York, M.M.A. 25.190 (K. |
Two non-joining body fragments, a strengthened with plaster and painted. Start of handle at far left of fragment a. Good glaze, slightly brownish on b. P.H. a) 0.18, b) 0.112; max. dim. a) 0.223, b) 0.162 ... Ca. 470 B.C ... For a wineskin with a loop similar to the loop seen on 19, cf. Munich 2343 by the Alkimachos Painter (ARV2 531, 27).
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Two non-joining fragments, a of neck and shoulder, b of rim, neck and shoulder. Max. dim. a) 0.095, b) 0.085.
Fragment a preserves the filleted head of a man and the head of a muzzled horse, both to right ... Ca. 520 B.C ... Harnessing scenes are very rare in red figure; the only ones known to me thus far are: Munich 2420 from the Pezzino Group (ARV2 32, 3; CVA, 5 [Deutschland 20], pl. 221 [936]:3; Mind and Body, p. 312, no. 199; Addenda 157); Vatican 16575 (506) by Epiktetos (ARV2 73, 27; Addenda 168); and Louvre G 196 by the Troilos Painter (ARV2 296, 2). |
Four non-joining fragments of rim and neck, P 25978 a preserving the spiral of one handle, P 28759 with start of shoulder. Two small fragments (P 25978 b and c) give a bit of the flange of a handle and ... Ca. 500-490 B.C ... For encircled palmettes on the necks of red-figured volute-kraters, cf. the following, all in the upper zone and all in reserve, not black glaze: one by the Nikoxenos Painter, Munich 2381 (ARV2 221, 14; Addenda 198); another akin to him, Toronto 959.17.187 (ARV2 223, ---, 2; Paralip. 346, 2); two by the Karkinos Painter: New York, M.M.A. 59.11.20 (ARV2 224, 1) and New York, M.M.A. 21.88.74 (ARV2 224, 2; Addenda 198).
234 probably belongs among those vases akin to the Nikoxenos Painter rather than those by the painter himself or in his manner. The drawing of the figures and drapery is much simpler on the Agora vase when compared with figures by the Nikoxenos Painter, even smaller ones that are set in a frieze: e.g., Munich 2381; Oxford G. 136.36 and 40 (ARV2 221, 15); London, B.M. |
Fragment of torus mouth, neck, and start of shoulder, part of body on each side. Neck glazed on inside. Glaze misfired reddish brown; abraded in places, especially on mouth and on Boreas. P.H. 0.14; diam ... Ca. 460 B.C ... Beazley (ARV2 486, 34) suggested that the woman on Side B of 36 is either Herse or Aglauros, most likely on the strength of two representations of this subject where their names are inscribed, both by the Oreithyia Painter: Berlin 2165 (ARV2 496, 1; Paralip. 380, 1) and Munich 2345 (ARV2 496, 2; Paralip. 380, 2; Addenda 250; Reeder, Pandora, p. 40, figs. 2--3 and p. 75, fig. 2). |
Two non-joining fragments of lip, bowl, and floor. Glaze abraded slightly on outside at rim. Max. dim. a) 0.14, b) 0.035; est. diam. at rim 0.15; diam. of tondo 0.117. R. Lamberton and S. Rotroff, Birds ... Probably mid-5th century B.C ... In red figure, a clump of reeds (reserved, not incised) appears on Munich inv. 8737, a pelike by the Agrigento Painter (ARV2 578, 67), the subject unexplained. |
Three non-joining wall fragments. Dull, hard glaze on inside. Max. dim. a) 0.091, b) 0.075, c) 0.071. L. Talcott, Hesperia 8, 1939, pp. 268--269, figs. 1, 2 (the fragments have been relettered since this ... Ca. 470-460 B.C ... Compare the Painter of Munich 2413 (ARV2 495, ---; Paralip. 380, ---; Addenda 250). |
Profile complete. Mended with the missing pieces restored in plaster and painted, notably most of one side of the bowl, about half of the other, both handles. H. 0.077; rest. diam. at rim 0.185; diam ... Ca. 500 B.C ... Cf., e.g., the maenad looking toward Dionysos on Munich 2304 (ARV2 220, 1; Paralip. 346, 1; Addenda 198) or Athena on Boston, M.F.A. 95.19 (ARV2 220, 5; Addenda 198). |
Mended with small missing pieces restored in plaster and painted. Lip offset on inside; foot offset on underside. Glaze slightly abraded on handles. H. 0.074; diam. of rim 0.18; W. with handles 0.238; ... Ca. 510-500 B.C ... Furthermore, when a master pot painter of this period chooses to decorate a cup, it is often a cup that approximates a pot in size, e.g., Munich 2044 by Exekias (diam. 0.305) or Munich 2620 by Euphronios (diam. 0.43). |
Four non-joining wall fragments, a, c, and d with part of outturned rim. Max. dim. a) 0.055, b) 0.071, c) 0.04, d) 0.169; est. diam. at rim 0.26. H. Riemann, AA, 1937, p. 94, fig. 3 (fragment d); ILN, ... Ca. 470-460 B.C ... Himmelmann-Wildschütz, Zur Eigenart des klassischen Götterbildes, Munich 1959, fig. 18; I. |
Fifteen non-joining fragments of wall, P 18278 b--c and P 19582 a--d of torus rim with zone of ornament below. Glaze mottled here and there; has a greenish cast in places; abraded in part on rim. Max ... Ca. 480 B.C ... What comes to mind immediately, of course, is the Achaeans' mission to Achilleus described by Homer in Book IX of the Iliad and illustrated by the Kleophrades Painter on his hydria in Munich, inv. 8770 (Paralip. 341, 73 bis; Addenda 189). ... (Iris wears a similar headdress on Munich 2426: ARV2 189, 76; Paralip. 341, 76; Addenda 189.) |
Five non-joining wall fragments, a with start of keel. Glaze much pitted on underside of bowl. P.H. a) 0.18; max. dim. a) 0.25, b) 0.174, c) 0.087, d) 0.107, f) 0.062; est. circumference at ground line ... Ca. 500 B.C ... The slanting position of the left calf and foot on fragment c indicates an athlete in a fairly active pose (cf. the javelin thrower in the tondo of Munich 2637 by Onesimos [ ARV2 322, 28; Paralip. 359, 28; Mind and Body, cat. no. 46; Addenda 215]). |
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