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| The lower right side of the back of the head is preserved.
The hair is indicated by shallow grooves and formalized curves, except where it seems to have been worn in a braid across the back of the neck ... 9 March 1932 |
A big hunk of obsidian.
ADDENDA Four smaller pieces found with this stored in Box 196. Context uncertain. 704, 705 ff. Leica ... 9 May 1934 ... A big hunk of obsidian.
ADDENDA Four smaller pieces found with this stored in Box 196. |
| Fragments of the rim missing. Shape like that of P 12176 (ΑΑ 202); flaring lip and rolled handles, shoulder to neck below the lip.
Handmade of micaceous red-brown clay with gray core.
ADDENDA P 12176: ... 26 March 1938 |
Wall fragment: woman seated right. She wears an himation around her lower half; a scarf is flowing behind her head held by her left hand. Rather good glaze.
ADDENDA Europa on the bull.
Cf. P 25829 ... March 1953 |
Body with curving sides merging with rim; open socket through center.
Short nozzle, blunt nozzle encroaching on rim. High base.
Mottled red and black glaze over the entire lamp, badly chipped.
Buff clay ... 28 June 1931 |
Two joining fragments preserve some of shoulder of a pitcher like P 16281 (ΕΕ 457).
Part of a graffito is preserved:
ADDENDA P 16281: Tall cylindrical neck with flaring rolled lip; a light ridge around ... May 1939 ... Part of a graffito is preserved:
ADDENDA P 16281: Tall cylindrical neck with flaring rolled lip; a light ridge around neck at line of upper handle attachment. ... PD 1133-23(F 196) |
Intact except for front part of rim and nozzle; worn.
A mold for the upper portion, with solid handle. Discus has female bust, facing, with crescent moon above shoulders.
Rim has globules and wavy line ... 30 March 1937 |
| Part of the floor, with tube, and most of one side with half of one nozzle, preserved.
Slightly raised base. Black glaze somewhat grayed. The base and a broad band around the inner edge of the rim reserved ... 26 May 1937 |
Fragment of slightly domed lid. Slipped on underside. Max. dim. 0.058.
From knob out: rays in black; below, swan's head and neck (back of klismos); next to it on the right, upper left corner of an object ... Probably mid-5th century B.C ... For rays instead of the more common egg pattern with dots or the zone of tongues around the base of the knob, see Taranto/Reggio, no no. by the Berlin Painter (ARV2 212, 215; Addenda 196); Ferrara 3095 by Hermonax (ARV2 490, 125; Paralip. 379, 125; Addenda 249); and Naples 2638 by the Niobid Painter (ARV2 607, 89; Prange, Niobidenmaler, p. 204, cat. no. |
| Legs, nose and tail missing. Rider broken away. Bridle, collar and yoke broken.
Traces of white paint with flecks of red.
Pinkish buff clay.
ADDENDA, 5-10-33: The legs now restored in plaster, and the ... 5 April 1932 ... Pinkish buff clay.
ADDENDA, 5-10-33: The legs now restored in plaster, and the horse set on the same base as T 196.+------------------------------------------*---------------------15144 ... Found near T 196, together with vase P 530. |
| Inscribed fragments of stele.
Seven fragments, of which a-e) join; two, f) and g), are non-joining.
All fragments are broken all around and behind.
Pentelic marble.
ADDENDA Two fragments , joining each ... June 1950 |
Nozzle and front of infundibulum preserved.
On rim, single rill, concave curve toward filling hole.
Nozzle short and flat.
Good black glaze inside and outside.
Fine red clay.
Type V (second variety) of ... 16 July 1931 |
| Nozzle broken.
Profile with addiotional grooves. Rim grooved, with sunken area around central filling hole. No handle. Nozzle deep and broad. High base.
Unglazed.
Pinkish-buff clay.
Type VIIB of Corinth ... 18 June 1931 |
| On rim, groove with red miltos, slopes to the center.
Handle broken, with horizontal band.
High base, red bottom. Broken, long deep nozzle.
Hard black glaze.
Pale red Attic clay.
Type VIIA (glazed variety) ... 16 June 1931 |
Broken all round. The outside black glazed, the inside chocolate brown.
To the left, nude standing figure, head and shoulders missing; to the right a woman in long chiton beyond her a long-legged water ... 18 February 1933 |
Handle missing.
Triangular nozzle; sunken base. On rim, wreath of triple leaves and buds.
Red glaze.
Orange clay.
Type XVIII of Corinth collection, type 54A of Agora collection.
ADDENDA A picture of ... 6 February 1937 |
End of nozzle missing.
High curving body. Very slightly sloping rim; ornamented with two deep grooves.
Nozzle deep, flat on top. High base, slightly concave.
No handle; but on the left side is a small ... 21 July 1931 |
Fragment of rim and side.
On nozzle, remains of a wick hole encroaching upon the rim.
Flat rim, sloping slightly toward large opening, and projecting a very little on the exterior, over the slightly curving ... 1931 |
| Broad, flat rim, sloping to center.
Horizontal, broad handle broken. Long, deep nozzle, with small wick hole.
Fairly high base; unglazed.
Hard black glaze.
Pale red Attic clay.
Type VI (late 5th. century ... 16 June 1931 |
| Inscribed fragment.
Broken all round.
Blue marble.
ADDENDA With I 605 and I 909. For context cf. H-I 7-8:1 Found in the south wing of the Stoa of Zeus, in late Roman context. Leica, III-66 ... 196/5 |
Nozzle and front half of infundibulum preserved.
On rim, single groove around filling hole. Mold made.
Traces of knob of left side of body.
Nozzle long, rounded at tip, line of attachment to body on either ... 1931 |
Inscribed fragment.
Broken all round and behind.
Parts of seven lines of the inscription preserved.
Blue marble.
ADDENDA With I 605; joins I 834. Cf. H-I 7-8:1 Found in late Roman context, over the south ... 196/5 B.C. |
Floor fragment with ring base. Grooved on underside with broad concentric bands. Max. dim. 0.07.
Woman (legs enveloped in a chiton and himation) seated to right on a klismos (legs, seat). Small reserved ... Ca. 420-410 B.C ... VIII 153 (ARV2 1131, 161; Addenda 333); and Mykonos, no no., which is akin to the painter (ARV2 1135, ---, 1). ... X.22.17 (ARV2 1132, 183) and that of the bride seated on the bed on Würzburg H 4445 = 541 (ARV2 1133, 196; Addenda 333). |
| Fragments of an inscribed stele.
Two joining fragments show letters; thickness of stone preserved; back rough picked.
Left side shows toothed chisel, with drafted edge; right side possibly cut subsequent ... Early 3rd. century B.C. |
From cup with off set rim.
Red on buff.
ADDENDA 2018: Five sherds mended into three non-joining sections to a carinated cup with flaring rim.
The exterior decoration consists of a wide lip-band with ... LH IIIC Early-Middle |
| Nine fragments giving part of rim, of upper wall and of handles. Restored in plaster. Flaring lip; rope handles.
Lip: interior, white zigzag band with yellow leaves and white dot flowers; exterior, wave ... 8-9 July 1949 |
Floor fragment. Glaze pitted. Max. dim. 0.041.
I, uncertain subject. The fragment preserves part of a barbiton (upper section of arms, crosspiece, and strings). A sash hangs from the lower arm. In the ... Probably late 6th or early 5th century B.C ... For the barbiton, see 196.
The musician on 1628 probably held his instrument by its arm in his left hand. For an example, see Louvre G 422 by the Phiale Painter (ARV2 1019, 77; Paralip. 440, 77; Addenda 315; Oakley, Phiale Painter, p. 79, cat. no. 77, pl. 59). |
Wall fragment with very slight vertical curve. Glaze fired greenish on outside. Max. dim. 0.055. K. Zimmermann, JdI 95, 1980, p. 179, fig. 15; Prange, Niobidenmaler, p. 216, cat. no. GN 59.
Part of outstretched ... Ca. 460-450 B.C ... Zimmermann, "Tätowierte Thrakerinnen auf griechischen Vasenbildern," JdI 95, 1980, pp. 163--196; Hesperia Suppl. ... Manner of the Niobid Painter (ARV2 612, 44; Addenda 268). |
Part of bowl, all of one handle restored in plaster and painted. H. 0.07; diam. at rim 0.175; diam. of tondo 0.107; diam. of foot 0.073. L. Talcott, Hesperia 24, 1955, pl. 33:d; S. Roberts, Hesperia 55, ... Ca. 510-500 B.C ... For the barbiton, see 196.
The Painter of the Agora Chairias Cups (ARV2 176, 3; Addenda 185). |
| Inscribed stele with ornamental pediment.
Decree honoring Kephisodoros; non-stoichedon.
Fragment Η' 123 a), the bottom is broken off.
The top is finished above with a pediment with central and lateral ... 196/5 B.C. |
Two non-joining fragments, a of neck and shoulder, b of rim, neck and shoulder. Max. dim. a) 0.095, b) 0.085.
Fragment a preserves the filleted head of a man and the head of a muzzled horse, both to right ... Ca. 520 B.C ... Harnessing scenes are very rare in red figure; the only ones known to me thus far are: Munich 2420 from the Pezzino Group (ARV2 32, 3; CVA, 5 [Deutschland 20], pl. 221 [936]:3; Mind and Body, p. 312, no. 199; Addenda 157); Vatican 16575 (506) by Epiktetos (ARV2 73, 27; Addenda 168); and Louvre G 196 by the Troilos Painter (ARV2 296, 2). |
| Missing: head (which was inserted); right arm (formerly doweled on, as was right foot, traces of the rust of the arm dowel, and the actual dowel itself in the foot are still preserved); fragment from back ... 8 June 1933 |
Mended with small missing pieces restored in plaster and painted. Lip offset on inside; foot offset on underside. Glaze slightly abraded on handles. H. 0.074; diam. of rim 0.18; W. with handles 0.238; ... Ca. 510-500 B.C ... E 468 (ARV2 206, 132; Paralip. 343, 132; Addenda 194). For the subject, see LIMC I, 1981, pp. 175--181, s.v. ... The Berlin Painter (ARV2 213, 242; Paralip. 344, 242; Addenda 196). Lucy Talcott was the first to link this cup with the Berlin Painter and thought it might even be his earliest preserved work. |
Two non-joining fragments, P 5107 with rim and body, P 44 of wall. Reserved line on side at rim; another 0.06 below rim. Glaze misfired greenish and reddish in places. P.H. P 5107: 0.127; est. diam. at ... Ca. 430 B.C ... For the seated Hera combined with the procession of Hephaistos on a donkey or a mule accompanied by Dionysos, see Halm-Tisserant, AK 29, 1986, pp. 20--22; LIMC IV, p. 638; also, Froning, Dithyrambos, pp. 67--71, as it applies to the volute-krater in Ferrara attributed to Polion: 3033 = T.127 (ARV2 1171, 1; Paralip. 459, 1; Addenda 338).
The figure of Hera on 288 with a frontal attendant is closest to the composition on the skyphos in Toledo attributed by Bothmer to the Kleophon Painter (82.88: CVA, Toledo 2 [USA 20], pl. 86 [969]:2 and p. 13 for the attribution; Matheson, Polygnotos, p. 379, cat. no. ... For the barbiton, see 196.
Connected by Thompson with the Eretria Painter but not firmly attributed to him (Hesperia 6, 1937, pp. 48--49). |
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